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Shredded Constitutions

Americans have been stunned to discover that there seem to be no enforceable penalties against a Washington regime that violates written and customary rules.

If we wanted a convenient way to understand the fragility of some of the West’s most storied democracies, we could do no better to look at the nation that was the former leader of the Western world and the nation known as having the Mother of Parliaments.  Both the United States and Britain are in the midst of constitutional crises that can only please non-democratic states that have never attempted to invest sovereignty in their citizens.  Boris Johnson has tried to do end-runs around the House of Commons to avoid its judgment that Brexit should be delayed.  For his efforts he received a rare rebuke from the nation’s Supreme Court.  And his battle with factions in the Commons is only part of the problem. They have withheld a vote of no-confidence because it would trigger an election they fear could give him a free hand to impose a no-deal Brexit. They have cause because it would violate their rightful parliamentary sovereignty.

At this point Johnson has no majority and seemingly not much of a clear path forward, unless he can work out a compromise with the EU.  The traditional opposition, the Labour Party, has decimated itself with a leader many its members to not want. Jeremy Corbyn mostly dithered through the last years of Prime Minister May’s government, giving ordinary citizens fears that a Corbyn government could be worse. Even on Brexit he still manages to stand precariously on the fence. The British system assumes leaders will be supported by their own parties, and ready to take over when the current government has made a mess of things.  That’s not how it’s working now.

The situation is as bad if not worse on this side of the Atlantic.  Like Johnson, Donald Trump’s regime routinely trashes traditions by refusing to submit regular appointments to congressional oversight, ignoring subpoenas, ignoring long-standing ethics rules, self-dealing in ways that promote his businesses, courting foreign powers to intervene in American elections, and overreaching to assert executive privilege.  The impeachment process will be an interesting test. Will staffers and agency professionals be intimidated?  Will subpoenas be honored?  Will executive privilege be used as a smokescreen?  The Constitution is of little help on these questions.

Congress stews in dysfunction, GOP atrophy, internal party gamesmanship, and the knowledge that the current president cannot be turned out through impeachment.

Americans have been stunned to discover that there seem to be no enforceable penalties against a Washington regime that violates written and rules and long-standing courtesies.  The framers of the Constitution gave Congress legislative powers, but no police powers or workable ways to punish those they find in contempt.  And so Congress stews in dysfunction, GOP atrophy, internal party gamesmanship, and the knowledge that the Republican Senate will block efforts to turn Donald Trump out.  What’s remains of the old GOP can been reassured that they are mostly safe under constitutional provisions that guarantee a skewed process for electing senators (two per state, regardless of their size).  In a more representative system California would have something like 36 senators to Wyoming’s 2.

There is a presumption in both nations that their constitutions are bright models for emerging democracies. The common view is that their problems don’t rise to a level that would demand change, though many in Britain now wish they’d bothered to write their’s down.  But the the sorry state of politics in both countries  suggests a need for more constructive criticism of these foundational documents.  Our problems are not just because of our leaders. The bad news, I’m afraid, is that the challenges we face are much more structural than we want to admit.

In Praise of the Longform Documentary

There is simply no narrative form that is quite as effective as an extended video or film exploration of a complex person or trend.

Our heads are now and too often cast down to small screens so we can read even smaller messages.  Sometimes it seems like we are spending our time looking at the equivalents of fortune cookie aphorisms.

We can do so much better.  The technology is there.  We just have to show an interest.

One of the more recent advances in our media is not particularly “digital” at all; it’s the rebirth of the longform documentary focusing on important histories and cultural trends.  It’s not an overstatement to note that the culture changed after CNN broadcast Gabriela Cowperthwaite’s 83-minute documentary, Blackfish  in 2013.  More viewed it when it was distributed as a feature by Magnolia Pictures. Once people saw the trailer  they were drawn to the film.  Cowperthwaite put the issue of animal abuse front and center at the moment when the topic was at a cultural tipping point.

The prime advantage of most documentaries  are that they are inviting entry points into an important narrative. The subject could be popular a single musician, a saga about one family, or our financial system.  Diverse subjects have been explored with sensitivities to the people whose dreams have been realized or dashed by mostly systemic pressures that are not visible in shorter narratives.  Most are personal; documentary filmmakers understand that their focus needs to be on individuals with stories to tell and tough choices to make.  Many have also been trained to structure stories that are coherent even without an off-screen narrator.  That was once a novel mode of working, tried by Frederick Wiseman, which has since become the norm.

The longform documentary is sometimes still used by PBS, though they are often more enthusiastic about non-confrontational elements in the natural world.  And CBS once had a crack documentary unit headed up by Fred Friendly and Edward R. Murrow, now just a distant memory, but recalled in the feature-length docudrama, Good night and Good Luck (2002).  Now it is mostly the larger streaming services and cable services that buy and schedule hard-hitting documentaries.  HBO, Showtime and Netflix are examples. To be sure, financing documentaries and selling them is still a rugged and difficult process for a filmmaker, even though shooting can now be done using more economical digital equipment.  We can thank a handful of dedicated professionals who have persevered–Alex Gibney, D.A. Pennebaker and Chris Hegedus, Ken Burns, Michael Moore–among many others.

Here are a few favorites that are generally available for streaming and found with a simple Google search:

Working and Workers

  • American Factory (2019)
  • Roger and Me (1989)
  • The Last Truck (2009)
  • Last Train Home (2009)
  • Harlan County USA (1976)

Music

  • Jazz
  • Hitsville: The Making of Motown (2019)
  • Seymour: An Introduction (2015)
  • 20 feet from Stardom (2013)
  • Glen Campbell, I’ll be Me (2014)
  • Moon Over Broadway (1997)
  • The Last Waltz (1976)
  • Best Worst Thing That Could Have Happened (2016)
  • Woman of Heart and Mind (2003)

Politics, Culture and Society

  • Times of Harvey Milk (1984)
  • The Inventor (2019)
  • Alive Inside  (2010)
  • Enron: The Smartest Guys in the Room (2005)
  • Man on a Wire (2008)
  • The Fog of War (2003)
  • Sound and Fury (2000)
  • Hearts and Minds (1974)
  • An Inconvenient Truth (2006)
  • Gasland (2010)
  • Fyre (2019)
  • The War Room (1993)

There is simply no narrative form that is quite as effective as a well-made 90-minute exploration of a topic.  We are lucky that the form has never been more accessible.