Tag Archives: Martin Luther King

Muting the Dream

Source: commons wikimedia
Source: commons wikimedia

It’s difficult to judge if King knew what taking his discourse out of the public domain would mean. 

The release of the film Selma this month adds meaning to the holiday honoring Martin Luther King’s birthday.  But some details about what the producers had to do to put King’s courage on view add a slightly sour note to this year’s tribute.

Most Americans probably do not know that the great civil rights leader’s words may not be rewritten or replayed without payment to King’s heirs.  Soon after the famous “I have a Dream” speech on the National Mall, King moved to legally retain legal ownership of it, and eventually other statements made by him throughout the years of his struggle. He copyrighted his public rhetoric in a way few would ever think possible or desirable.  It’s difficult to judge if King knew what taking his discourse out of the public domain would mean.

The family’s explanation for monetizing and controlling the leader’s rhetoric is that he and they did not want his words used for commercial or unintended purposes. If you want a video copy of the speech, you will need to buy it from Amazon or some other seller of audio content. If you are a documentary filmmaker seeking footage of the era, payment would be required for any portions that include statements from King. And if you are retelling key moments from his life, his words are off-limits, even though the family has apparently licensed segments for use in commercials.

The challenge was especially great for the producers of Selma, who were forced to write their own King-like oratory to recreate the fateful 1965 march. The exclusive film rights to those words have apparently been sold to DreamWorks’ Steven Spielberg.

It even gets even more peculiar. Stanford University runs the Martin Luther King Institute that oversees a “King Papers Project.” But getting access to the papers is not easy. Here’s their online warning:

The Institute cannot give permission to use or reproduce any of the writings, statements, or images of Martin Luther King, Jr. Please do not contact us for this purpose.
Inquiries regarding the use or reproduction King's writings or statements should be directed to the manager of the Estate of Dr. Martin Luther King, Jr.:  Intellectual Properties Management (IPM).

How very strange, for several reasons.  First, in my years in academic publishing, I’ve rarely encountered an editor who had to pay a license fee in order to reprint speeches and statements from major political or social figures. I’m sure it has happened somewhere. But most principals or their estates understand that the nation’s civil culture is predicated on widespread dissemination of foundational documents. The general guideline is usually that it’s more about the ideas than monetizing them.

Second, when you put a price on jeremiads that called on others to join a collective struggle, claiming legal ownership of those words undermines the very ethic of personal sacrifice they are ostensibly about. King asked much of his followers, especially when they were recruited to march—as in Selma—without any police protection.  Given the willingness of so many to selflessly further the cause of civil rights, It’s difficult to understand why he set up an intellectual property mechanism that would put his rhetorical legacy on the auction block.  Freely sharing his words would have been better served the idea that this was a collective struggle.  Surely documents that are part of a nation’s social and cultural advances deserve a better fate than being sold to the highest bidder.

Comments: Woodward@tcnj.edu

Forty Years and Four Hundred Yards Apart

If you are old enough to remember the halcyon days of the CBS Evening News and the NBC Nightly News, you may have also noticed that one of the most disturbing and also the most ecstatic political memories that you carry actually occurred in the same city and virtually the same location, separated by 40 years and perhaps just 400 yards.

Barton Silverman/New York Times
     Barton Silverman/New York Times

The nadir came in 1968. A recent college graduate, I was among millions of Americans who were shaken by the impression that the superstructure of our nation-state was beginning to fall away. The stains of the assassination of President Kennedy five years earlier were still sealed into the fabric of the culture. And we could not know it was only a start.  Martin Luther King was gunned down in April while organizing a poor people’s campaign in Memphis. Two months later Robert Kennedy was fatally wounded by a Jordanian living in Los Angeles. By August, and against an enveloping sense of doom, there was at least the modest hope of some sort of political redemption as Democrats gathered in Chicago to stage-manage a presidential nomination. It was supposed to be a celebration of the orderly transfer of national leadership that would finally reconcile increasing public opposition against the Vietnam War. In the same year the conflict had already taken almost 17,000 lives. The nation was not only at war with the North Vietnamese, it was increasingly apparent that it was at war with itself, especially younger Americans who could be conscripted into a meaningless death. Inside the International Amphitheater near the stockyards the party trudged toward the nomination of Hubert Humphrey to head up the top of the ticket. He was to replace a mortally wounded Lyndon Johnson who had dithered his administration into a free-fall as it tried to find an exit from its war policy. Johnson’s attempts at leadership had divided Democrats so badly that it was in the process of incinerating itself.  

That would become all too clear on the night of August 28, when hundreds of anti-war activists any many young Democrats were on hand to seal the fate of the party.Their goal was to march in front of the Hilton and Blackstone hotels along Michigan Avenue, within earshot of the convention delegates. But they would witness the fury of a police backlash. Some of the activists were troublemakers. Most simply wanted to register their frustration with the inertia that had overtaken the party.

Mayor James Daley had done what he could to impede press coverage of the protests. The plan was to force the networks to cover the proceedings in the convention hall a few miles away, while preventing live television feeds of the confrontations brewing downtown. But the still-powerful news divisions of CBS and NBC weren’t used to being cowed by an uncharismatic machine politician.The convention was also their show. And they found ways to cover the angry confrontation that boiled over into the streets. Their solution was to set up cameras in Grant Park, recording the inevitable clashes that both sides had anticipated for weeks.

The Chicago Police turned out to be a machine ratcheted up to unload its fury. They used tear gas, truncheons, jeeps fitted with barbed wire, and undisciplined sweeps of bystanders trying to escape to surrounding streets and the park itself. In what a formal investigation later called a “police riot,” Daley’s minions’ managed to produce the kind of bloodshed and mayhem that it was ostensibly dedicated to preventing.

The city and the nation had seen violence many times before. But this conflict in particular settled into the national consciousness as a symptom of a deep and perhaps unbridgeable political rupture. The demonstrations momentarily concealed a rising disquiet among normally disengaged Americans who could not help but be witnesses to the train wreck of a doctrinaire foreign policy. When Walter Cronkite said as much on CBS, he contributed to a middle-class backlash that would be less strident but just as disruptive as the tactics of the “Yippies” in the streets. Even so, there could be no satisfaction in the meltdown of the Democratic Party in Chicago. It virtually guaranteed that government would be handed over to the secretive and suspicious Richard Nixon, a living paradox who could just barely conceal his twin instincts for political repression and the overextension of military power. 

While there was little question that bloodbath of political assassinations between 1963 and 1968 shocked the nation, for me at least, that single August night in Chicago somehow represented a rot that was even deeper. The assassinations where devastating. But all were more or less the products of lone actors. Conspiracy theories notwithstanding, Americans had to learn to harden themselves against the distorted logic that allows psychopaths to carry out personal fantasies of revenge with loaded weapons. To live in the United States is to accept the surreal normalization of random gun violence: a legacy given false legitimacy by a grotesque misreading of the Second Amendment. In addition, and in its own peculiar way, John Kennedy’s death at least momentarily brought the nation together. Recalling his words became its own act of public meditation on the possibilities of political transcendence. By contrast, we would have to wait 40 years to see even a partial vindication of the moral persuasion of Dr. King.

The violence in Chicago was so disturbing because it was systemic. Violent response to citizen-protesters had the apparent imprimatur of official policy; no electoral outcome could easily heal that wound. It was a surprise to many Americans that it suddenly made sense to talk about battles in the streets of Prague and Chicago in the same breath. The brutal Soviet suppression of young dissidents in Czechoslovakia had an eerie similarity to the military-style sweeps of Michigan Avenue and Grant Park. They all seemed to point to a dying order that would replace the rhetoric of conciliation with the application of brute power. 

If the nation never seemed more troubled after the painful ruptures in the hot summer of 1968, it came the closest to affirming its aspirations 40 years later, reflected in the moment when the same city served as the setting for the introduction of a new President and his family. It all happened within a few hundred yards of the same hotels bordering Grant Park. It’s my own choice for the one political moment that rose to a level of pure ecstasy. The evening was theater, to be sure, but also a signal that the nation could think differently about how it wished to be led. It’s too simplistic to say that the election of 2008 was the final antidote to the poisons of racism and an endlessly interventionist foreign policy. But who can forget those images? On that night Obama was the perfect embodiment of his own theme of hope. Against the glowing skyline of The Loop, he reclaimed the nation’s honor in the presence of over 100,000 citizens who had gathered to witness the deceptively short walk to the center of the stage.