Tag Archives: Joan Didion

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The Recurring Ruptures of American Life

Our official origin story of a national melting pot is what many still express, but millions of citizens carry the scars of bigotry, racism, sexism and homophobia. It is an old story that still puts many Americans out of the picture.

Live long enough on the unsteady terrain of American civil affairs and it seems like the seismic upheavals are frequent and endless. Patterns of breakdown bump into other existential threats that vie for attention. Natural disasters overlay human ones, as in the devastation in the Los Angeles area. Just now, the most recent fissures are evident in racial ghosting, anti-WOKE conspiracies, federal dismemberment, and the takeover of national electoral politics by the super-rich. All feed contorted mutations of language that almost make the absurd seem plausible.

The nation’s material wealth may soften the experience of moving too fast over unstable ground. But the ground will still win, with many retreating into origin stories that mostly skirt the white-man tribalism that has surfaced yet again. The American skill for euphemism has meant that patterns of dominance and control have mostly been renamed out of existence. But The remnants of past ruptures lie around us in a visible topology. It is hard not to be drawn to the edge, where dreams of national destiny keep us focused on the horizon rather than what is at our feet. Our official origin story of a national melting pot is what many still express, but millions of citizens carry the scars of bigotry, racism, sexism and homophobia.

Rumbles from the unstable ground come often enough to keep our politics in a state of a perpetual suspicion, a thread that extends far back to skirmishes with the French in the 1750s, and the British in the 1770s. In the modern era the nation faced real threats of Nazi domination, as well as exaggerated fears of victimage at the hands of Soviet or Chinese communists. Active thoughts of conspiracy blend with recurring instances of literal and rhetorical assassinations that have easily been top of mind in the eras of Kennedy, Nixon, King, Reagan, the second Bush, and now, Trump’s dangerous delusions of a hostility everywhere.

Trump has turned almost every relationship with other states into a test of wills, energized by a laundry list of imagined slights that require retribution. This is most obvious in the hostile turn on Canada, whose public discourse has mostly escaped the shadows and fog thrown off by American political rhetoric. As is often noted, maybe Canadians profited from missing a searing national birth in a true revolution. They and most of us can’t fathom the demons that currently drive the economic vengeance of their neighbor.

The “national story” is full of too many cracks to be covered over in the “preferred narratives” we tell ourselves.

We think the long reach of time is in our favor, ignoring the warning of Henry Adams, who wrote in 1879 that history “must submit to the final and fundamental necessity Degradation.”

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This idea of decline is a continual theme in the work of one of the nation’s most important observers of our national life. In Slouching Toward Bethlehem (1968) Joan Didion, who passed away in 2021, refused to yield to the romance of 60s liberalism, with promises of a “counterculture” forging ahead in a new and less imperialistic nation. A writer of fiction and thoughtful books of observational reporting, the California native usually began with the trenchant principle that we tell each other stories “in order to live.” But her method always to included implicit caveat that narratives invite counternarratives. If most writers stayed in the center lanes of thought, Didion was the more dangerous observer willing to stay on the verges to get a better view of the abyss. Born in California and drawn to its fluid culture of Malibu as well as Goldwater libertarianism, Didion noticed the obvious decline of interpersonal connection that was beginning to favor atomized experience over collective action. Writing through the last quarter of the last century, she also saw a drift away from  institutional and personal distrust that advanced democracies needs to flourish. As biographer Tracy Daugherty noted, “Didion felt this historical decline in her bones. The “national story” was full of too many cracks to be covered over in the “preferred narratives” we tell ourselves. Now, even the wealthy want to report ‘exact representations of their own victimization’ to whomever will listen. Such talk of the otherness of strangers results in the popular idea that even affluent cities have been “ruined” by the poor or homeless.

Roughly half in our polarized society thought their abuse was caused by large government, while others have recognized the value of a federal role in knitting the nation together. She tended to side with the skeptics, using her voice in the literate style of the “new journalism.” In one memorable account of hippie parents in San Francisco’s Haight-Ashbury the preferred narrative might often the sentimental romance with the Age of Aquarius. Didion offered another memorable view, including an account of a five-year-old in a squalid apartment hooked on LSD.

Reading Didion’s work in the 80s led many of us to conclude that her reporting about a fake national dream seemed too dark for the times. We wanted to see the pleasant glow, but we missed the fire. She was not distracted to and recorded the relentless and cyclical collapse of national intentions in Cuba, Vietnam, Laos, Panama and elsewhere. Halting steps toward the leveling of opportunity was always the best part of the American project. But gains were offset by the trauma and eventual numbness from the spate of assassinations, violent crime, school shootings, and racial tensions even in seemingly progressive cities. These fissures in American life seemed beyond what was possible with our incrementalist politics. With a few exceptions, like Lyndon’s Johnson’s Great Society programs in the early 1960s, it seems clear that otherwise limited horizons and an ossifying culture would make little headway in smoothing these kinds of fault lines.  As Didion once noted, “The center will not hold.”

Our constitution blocks the timelier self-corrections that can happen in parliamentary systems. Squint a little and an independent executive and Congress in one month can easily look like a politburo and an oligarch in the next. Until the election of Trump, the nation had not faced so committed a chaos agent, and one from a blue state. The election caught us looking in the wrong direction, guessing that our largest existential rupture would come at the hands of a dominant southern Congress.

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“They Came from Another America”

She was stunned that the news that came to the Royal Hawaiian Hotel produced little more than a shrug from other vacationers.

Since it was formed, citizens of the United States have demonstrated that they have diverging ideas about the true animating force of their nation. Is it enough to have a shared interest in maximizing personal freedom?  What does it mean when others are indifferent to a national tragedy?

Full citizenship and its protections were withheld from many over most of our history. But even with more enfranchised, it is apparent that a nation that spans a continent contains many differing values that can eclipse shared beliefs. Members of the European Union occupy another wide continental swath with some of the same challenges. Danes and Poles have cultural characteristics that are at least as wide as those separating native Texans from lifelong New Yorkers. Can citizens in so big an expanse still feel like that are part of the same tribe?

A picture of a culture that is more frayed quilt than a tightly-woven blanket came to mind in reading a revealing piece of literary detective work. It described the little-discussed dive into despair of the writer Joan Didion, a trenchant chronicler of American life. She was a leading American cultural critic who had the rare capacity to offer highly readable accounts of destructive forces swirling just beneath the surface calm of the American experience. Didion knew how to use a literary wide-angle lens to capture the national mood, noticing convulsions that others missed. Because she thought in terms of events laid out in oppositional narratives, she shed insight into alternate perceptions that others missed.

As Timothy Denevi notes in a recent piece in the New York Times, Didion and husband John were vacationing in Hawaii in 1968 and about to head into a sudden existential storm. In this unlikely place her natural California cool gave way to real symptoms of physical illness.

The Trigger

The specific event was June 4, the day Robert F. Kennedy was mortally wounded while leaving Los Angeles campaign appearance. She was stunned that the news penetrating the bubble of the Royal Hawaiian Hotel drew little more than a shrug from other vacationers. How could other Americans not recognize the loss of so temperate a voice while facing the morass of the Vietnam War?

Kennedy was very much a part of her stormy America she chronicled in collections of essays like The White Album, Slouching Towards Bethlehem and After Henry. Many saw him as an idealist that might pull the U.S. back from some of the national convulsions in the same year.  Martin Luther King has been shot to death in April. Thousands of American servicemen were dying at a rate of 2800 a month in Vietnam. And the once outsized President Lyndon Johnson had slowly shrunk behind a vail of sullenness. He said he would leave after just one term. The “battle of Chicago” between protesters and the army at the Democratic National Convention was still to come a few months later.

It was during a performance in the hotel by singer Don Ho that Didion’s experienced a full realization of nation that had torn loose of its anchors. The singer had just stopped in mid-performance to pass on the breaking news of Robert Kennedy’s assassination, pausing to offer a spontaneous prayer he sung to mark the moment. But others in the room were apparently having none of it, shouting to the singer to “quit the hymns” and jeering his response to the shock.  They still wanted the faux Hawaiian spectacle they had paid to see. The experience made her ill. In the aftermath she could not keep food down. But she still had the crystalline insight of a nation at war with itself.

No matter what your political feelings are, if you’re attached to the idea of the nation as a community—if you feel yourself to be part of that community—then obviously something has happened to that community. . . .  It seemed as if these people did not count themselves as part of the community.  They came from another America.”

A Warning of Things to Come

We are left to see an obvious pattern. This moment resonates because Didion’s sense of dislocation seems to have become a continuous sensation for many us. Like the shocking loss of a genuine American idealist, the daily conduct of many political figures today asks us to keep reliving the eminent dismemberment of the tribe. We must now experience the feeling that many within the culture occupy “another America:” less tied to the customs and norms that had defined the nation.

Didion died just weeks before the failed January 6 coup in the aftermath of the 2020 election. But in 1968 she already had the insight that the United States would not find its way back to the sturdy narratives Americans used to share.  Even then it was clear that a kind of national self-sabotage was becoming the new normal.

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