Tag Archives: Anne Lamott

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Writing as Creative Invention: Some Suggestions

It is a skill with almost no upward limit for improvement. Regular effort helps, but few of us ever fully master the challenges of communicating our thoughts. 

Hundreds of blog/essays and eight books have consumed most of my adult life. But to be frank, re-reading any piece is bound to produce a few cringes. In hindsight there always seem to be better wording choices than the ones I chose. I never quite achieve the verbal economy and mastery of images like essayist Roger Rosenblatt, now retired in his 80s and, in this sample, celebrating his grandchildren:

Now I have the time and freedom to putter around in their lives, asking this or that, making private jokes. The kids seem to take my attention gladly, or are too polite to tell me they don’t. Either way I have a flourishing garden of young people with whom I can banter to my heart’s content. So I do.

Writing perfection is an elusive goal. It is a form of human invention and at the same time, a test of a writer’s stamina and creativity. Writing for some practical need, such as a report, is rarely much fun. But an author who gets to exercise their muscles in behalf of the pleasures of personal expression may have good reasons to persevere.

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                    Didion

Few imagine getting any pleasure out of such a solitary activity. Writing requires concentration and mental gymnastics, which is perhaps why so many welcome the chance to give the task to A.I. Why bother with authorship if some of those programs can turn out a passable paragraph?

Here’s why: there is satisfaction in putting your name on a visible piece of your consciousness. Songwriters and artists understand the personal value of making something using your own thoughts. You should want to write in character: not borrowing someone else’s consciousness, but using your own. Think of Bruce Springsteen agonizing for days over song lyrics in the recent film, Deliver Me from Nowhere (2025). The whole film is about his process of rhetorical invention. In my case, explorations of the subject of human communication are endlessly fascinating: like a labyrinth of caves within a giant limestone formation. Writing is an act of discovery. It is a natural complement to reading, which is why we keep returning to people like Jane Austen, Joan Didion, or Christopher Hitchens.

                Hitchens

To be clear, I’m not talking about writing narrative fiction. I’m focused here on non-fiction writing of personal thoughts or arguments.  Any essay or survey of your own judgments or feelings should be interesting. If you make the effort, you might discover that you have a flair for revealing verbal imagery that opens up new perspectives  or insights.

Constructing written material involves a life-long learning curve.  Even so, here are a few suggestions here may be useful.

⇒ When faced with the challenge of putting more than a few thoughts together, pick the time of day when you are on your game. Writing is a high-order skill. It requires your total engagement and a minimum of distraction. I write in the morning and rewrite in the afternoon. Some flip this process and find the energy and creativity to write late at night. The point is to identify your sweet spot for being able to concentrate, giving yourself over completely to the task. Forget multitasking or a tv blasting in the background. Writing needs  full and unbroken concentration.

⇒ When staring at a blank page or screen, the goal is to start. Don’t let that blank space remain untouched for long. What your write first may end up at the end of the piece or be discarded. That’s fine, but start. First thoughts kickstart the whole process of discovering what you think or know. 

⇒ Edit later, but edit. All of us can benefit from good outside editors. But even when that is not an option, think like an editor, but after you’ve exhausted your creative efforts. Work first to generate ideas that you may want to amplify or develop. You will be a smarter reader of your own work after you have committed most of your ideas to the page. The amazing thing is how the generative process of writing is triggered by more writing. On some occasions you may find that this domino effect starts to take over. You think you are ready to stop, but your brain still is pouring out ideas that need to be captured. That’s a good sign you are getting into a productive groove. It is also a reminder to avoid overreliance on a prior outline, which can turn into a straitjacket that can cut off more spontaneous thinking.

⇒ Tame your word-processor. Don’t turn on so many features that it starts to take over the process that you should control. Sometimes auto-correct is way behind what you may have in mind. Ditto for artificial intelligence, which is the cobbling together thoughts from other people’s writing. More basically, A.I. will not be in your unique style. It’s a fake for what should be an extension of you and your feelings.

⇒ When editing, an online editor can help pick up obvious mistakes of spelling and grammar. An even more useful computer tool is the “read aloud” function in Word and other programs. I usually read by skimming. So my own fast read-through can miss what the read aloud function can reveal. We can be amazed at how well this tool reveals bad word choices, repetitious words (a common problem for me), and other forms of nonsense.

⇒Keep Reading. Most of our writing naturally improves as we absorb the work of accomplished and recognized writers.  Absorb the work of people who can hold a reader’s attention. Sometimes a good model is a piece of critical analysis you admire.

⇒ If you are making controversial or technical conclusions, do your reputation and your readers a favor by citing the sources used to support them. 

                             Lamott

⇒ Expect to do rewrites. As author Anne Lamott has noted “shitty first drafts” are the rule. What you wrote first may not be what you actually want to say. Paragraphs will probably need to be re-ordered. Overlapping ideas can be condensed. And clarifying early previews can be added or moved. (Sometimes the true point of an essay finally comes at the end: not an ideal place for your reader.) In short, give yourself time to polish your ideas.

Finally, writing offers a pleasant bonus to diligent scribes. If a first draft is crummy, the third or fourth may suddenly pick up speed and read like lightning. Hollywood mogul Jack Warner was hilarious but wrong; writers are so much more than “smucks with Underwoods.”

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Transferring Thoughts to the Page

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Writing has a way of imposing discipline on a disorganized mind. Seeing one’s words on a page forces the kind of mental engagement that is necessary but infrequent in our scattered lives.

I recently read a local real estate listing for a house on the market in “Newton” Pennsylvania. It’s possible, I suppose. But that little burg in the northern part of the state is a long way from the thriving town of Newtown Pennsylvania near me. What kind of agent can’t correctly name the town close to the home they want to sell? Writing has a way of imposing discipline on a disorganized mind. Seeing one’s words on a page forces the kind of mental engagement that is necessary but infrequent in our scattered lives.

An extended statement provides space to dwell on necessary complexities, to make a case with sufficient amplification and evidence, and possibly guide readers towards an action they have been reluctant to take. Good writing is coherent, interesting, and expansive. Whether we’re working on an essay, report, or letter, we know when we need to make the most of the ideas we have laid down. This is a ritual for high school students working on the perfect essay to a selective college, an employee on deadline to finish a report that will be seen by peers and management, or the citizen making a case to reluctant officials or neighbors.

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If it were only easy. Writing is one of those skills that we never fully master. As words take their place in sentences, they give off non-uniform impressions that it can easily drift beyond what you intended to say. This simple fact makes writing a challenge, and more so in an era when the tools of composition—everything from self-correcting word processing to A.I. attempts—can make it appear that things are under control. But you can bet that, at some point, any first draft of writing will go off the rails. What is less certain is whether you will put in the time and effort to correct the confused ideas and the mechanics of a first pass on a subject.

In her useful book for writers, Bird By Bird, Anne Lamott declares unequivocally that every writer needs to get past the “shitty first draft.”  It’s her not-so-gentle way to remind budding scribes to take at least several more passes over the prose they are usually too eager to accept as sufficiently worked out.

Part of the problem with settling on a first draft of any extended statement is that it reflects the likely fact that we aren’t yet clear about what we know or believe. Clarity comes when the theme of a piece begins to reveal itself, sometimes late in the process. Ideas worked out on the page will force a writer to reckon with a concrete expression of what they mean.  The work is paying off when a second look lets a writer see that they have not yet said what they want. Writing has a way of imposing discipline on a disorganized mind.

I suspect I’m not the only one to notice that after a day or so, my first drafts look dead on arrival. They are usually confusing, wordy, and both over-written and underdeveloped.  Having discovered what I really think, successive drafts refine the process. With time it usually becomes clear that the points I wanted to make can be said with greater economy and clarity.

A writer also discovers that the act of revising is enough to set the mind off on its own extended tour of the landscape that is being surveyed. This is a curious phenomenon. It turns out that not all writing happens when a person is formally on task. Better ways to make points force their way into our consciousness even when we move on to other things, like walking or trying to sleep. The left hemisphere of the brain thinks in language, and it’s sometimes only too happy to stay on the case longer than the rest of our mind.

I think I have only known one colleague who wrote and spoke in more or less “finished” prose. This historian was a phenomenon to listen to: a good scholar, amazingly fluent and a gifted lecturer. It was a relief when he moved to another campus.

A few specific suggestions:
-Do not multi-task and write.  Give the high order process of invention your full attention.
-Work in a quiet spot. Give your mind the chance to focus on your ideas.
-Write when you are at your best: it may be early morning or late at night, or fully caffeinated.
-Use editing tools or only after  you have worked out most of the bugs.
-Read your work out loud or ask MSWord (Review/Read Aloud) to do it for you. You will be surprised to discover what doesn’t scan right.
-Work until you feel like you have taken ownership of your words and ideas.

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