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It’s 1984 Again

“Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing.”  –George Orwell

It has been a pathetic spectacle to witness the ransacking of our federal government under the guise of serving the American public. Extra-legal acts of sabotage to agencies like the NIH have come with the explicit endorsement of the GOP and implicit acceptance of a somnolent public. We have to wonder what kind of country actually wants the self-inflicted wounds of wholesale firings and dismembered agencies. Few democracies have seemed so placid in the face of such self-destruction.

It tends to be the smaller declarations from the White House that capture its sloppy logic and daily rhetorical mayhem.

Consider the renaming of the Gulf of Mexico. The Gulf is shared by three nations. Though the  mental  fog may sometimes lift from his thinking, Donald Trump was logically out of his lane to overturn tradition and unilaterally assign a new name. Mexico and Cuba rightly have other ideas.

And for keeping the same geographical label, the Associated Press was suddenly barred from full access to the White House.

In overturning an uncontested place name Trump sought to turn a rhetorical whim into reality. Like his absurd palaver ignoring the sovereign states of Canada and Greenland, he squandered his authority to deny what others can clearly see. Such denial tries to sell a fantasy as the truth. Only small children and politicians engorged with a sense of power would try this kind of sleight-of-hand.

And so when CNN’s Kaitlan Collins put the question to White House Press Secretary Karoline Leavitt, her response was stunning in its audacity. The logic of Leavitt’s non-answer would bring no credit to even a child. She tried to sell the renaming as settled fact, and the traditional name a “lie.” “I was upfront on day one if we feel that there are lies being pushed by outlets in this room, we are going to hold those lies accountable,” she noted. And with a straight face she continued with a perfect example of doublespeak: It is a fact that the body of water off the coast of Louisiana is called the Gulf of America, and I am not sure why news outlets don’t want to call it that, but that is what it is. The secretary of interior has made that the official designation, and geographical identification name server, and Apple has recognized that, Google has recognized that, pretty much every outlet in this room has recognized that body of water as the Gulf of America, and it’s very important to the administration that we get that right.”

                                 Karoline Leavitt

The circular logic here tries to sell this weeks old fabrication as the status quo, presumably while the rest of us will avert our eyes to avoid noticing that Mexico itself shares over 1700 miles of shoreline along the Gulf. This kind of  binary thinking is Alice in Wonderland kind of stuff, spoken—amazingly—to a packed pressroom disappointingly silent except for Ms. Collins.

Ditto for the new administration’s insistence in the same press conference that gender is a simple two-tailed concept. In attacking efforts to deal with the dynamic nature of gender identity, Leavitt wanted to hold to a view of language that admits no well-documented subtleties. Apparently the Trump administration is ready to declare “that there are only two sexes, male and female. And we have directed all federal agencies to comply with that policy.”

Again, Leavitt can say this, but even in the precincts of the White House her truth is a forgery. She needs to get out more. It is settled science that gender is fluid, allowing no one-size-fits-all dichotomy. As the University of Iowa’s Maurine Neiman has noted, scientists of human reproduction “are in wide agreement that biological sex in humans as well as the rest of life on earth is much more complicated than a simple binary.” In fact, according to the Gallup Organization, nearly one in ten Americans identify as L.G.B.T.Q. Poor Ms. Leavitt wondered off into the weeds again to presume that it was her place to deny firm scientific proof. He attempt to usurp the prerogative of Americans to shape and affirm their own identity would have been wide of the mark even in 1894.

 

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Are we Collecting Again?

The pleasures of owning physical media have again caught our attention.  

                 Nolan

In 2015 this site offered a piece entitled “Are We Done Collecting?   It’s simple conclusion was that people would rather stream or rent media materials rather than own them. My impression is that in the last few years this has begun to change, as the technologies of music reproduction and film production have created more interest in younger consumers. The signs are decidedly mixed, but older means of capturing sight and sound seem to have found a lot of younger enthusiasts. Film preservation has become a cause that museums and Hollywood are rallying behind, aided by passionate cineastes in the thrall of directors like Brady Corbet or Yorgos Lanthimos, or Christopher Nolan, who keeps surprising viewers with epics like Oppenheimer. In addition, studio interest in their  own neglected back catalogues seems to have increased. Their indifference a few years ago reaped  a ton of bad publicity, with the result that new editions of old classics are now often restored on high resolution DVDs. The classics-centered Criterion Collection seems to be referenced everywhere now. Perhaps the relatively new Hollywood Museum on North Highland Avenue has also focused more attention on the physical aspects of filmmaking.

A few years ago 35-millmenter film seemed to be firmly in the rear-view mirror. But new applications for old color and aspect ratios have sparked a minor revival for the nearly moribund Eastman Kodak. Older directors Martin Scorsese and George Lucas have put their reputations on the line to support restoring films with new prints. While digital projectors still are the rule in theaters, productions again welcome the use of film during production before being transferred to a final digital print.

The same story of a partial turnaround applies to vinyl records, which are making a modest comeback. Streaming glitches and higher costs of monthly subscriptions have added value to owning the real thing. Based on record sales, in 2015 I predicted “a fading passion” for holding a physical copy of a performance. Now newer sales charts that show an uptick of interest by young collectors in these physical artifacts of music.

As well, storied brands of old audio and photo equipment from the 70s and 80s have also become a thing. Used audio stores could be lonely places for a few nostalgic old men. Now, some stores can hardly keep up with the demand for used audio amplifiers, some made over 50 years ago.  A restored off-the shelf Kenwood Amplifier from the early 70s can sell for as much as $4,000.

Perhaps living exclusively in the digital world of streaming has perhaps worn us out. Streaming offers something less than a “thing” that comes with a history and lovingly prepared liner notes. Taylor Swift enthusiasts famously want more than a digital file. And while most film buffs have no practical use for the 600-pound 70-mm IMAX print of Oppenheimer (2023), many want the Blu-ray equivalent.  Acquiring a sensibility that is distinctly theirs, young media consumers have also taken up the cause for once-esoteric phonograph cartridges, 4K restorations of films of 50s films, and the discovery of all-but-forgotten film formats like VistaVision, the format chosen by Bradley Corbet for his low-budget-high-impact feature, The Brutalist (2024).