elevator buzzfeed e1497532641481

Close Quarters Revisited

 Cramped conditions can be interesting ad-hoc laboratories: chances to see how individuals cope with another’s intrusion into their intimate space.

Life has a way of randomly throwing us together with complete strangers in tight spaces.  Trains, elevators and planes typically violate the two- to four-foot zone that the study of proxemics says Americans want to preserve for themselves.  How do we cope?

We’ll skip sitting in steerage on an airliner, where the experience is something to be endured, and where travelers are thankful to still have free use of the pressurized air.  But consider the ubiquitous elevator, and the mix-and-match experience of sharing a meal in a railroad dining car.

As little closets expected to hold 10 or 12 people, elevators represent the triumph of necessity over comfort. Walking up twelve flights of stairs is a good workout. But no one wants to arrive at their business destination looking like they just finished the New York Marathon. So in the cramped space of the little vertical room eyes are averted to the ceiling, the poster advertising the restaurant in the lobby, or to a middle distance that is supposed to relieve others of the need to respond. It actually becomes harder to remain completely disengaged when only one or two are on an elevator. But there are safe tropes for a brief conversation that can help pass the time.  Comments on the weather are usually safe, as are observations on how slow this particular version of the vertical room is. In a hotel, perhaps a timid query about where a co-passenger is from will work. But even that can tread near the borders of the acceptable. Not surprisingly, our comfort in these settings seems to be in direct proportion to the frequency of the experience. Living in the center of Chicago or New York, a person learns how to be a compatible stranger.

As the elevator went up the mood of the passengers inevitably went down.

A few years ago I was at a convention at a large urban hotel where the management thought it would be a good idea to include a small built-in television just above the elevator’s control panel. Strangers who stepped in had to be ready for more than a vertical ride. They were immediately thrust into the world of CNN, where a good day means covering a national or world crisis with live and often disturbing images of mayhem. On this occasion I recall a report focusing on community outrage over a police shooting. The story featured a home video of police beating and subduing two African American men.  Gunshots followed and one of the men died.

Endlessly looping the footage of the attacks over audio discussions of excessive force had the effect of throwing many convention-goers out of their celebratory mood and into the much harder world of a socially polarized nation. As the elevator went up the mood of the passengers inevitably went down.

Here’s the interesting thing. The collection of individuals in the elevator became common witnesses to an ugly incident.  And yet no one wanted to react; no one wanted to reveal themselves to strangers by overtly reacting to the report. Opinions remained too intimate to risk with this transitional group.  Even so, our daily lives are not unlike this transitional moment. Like the tiny space that shuttles between floors, the pervasiveness of our media constantly deliver us to social situations which are not stable for very long.  Media relentlessly push us into vastly different crises that are part of the human drama: some comforting and most disturbing.

Eating in an Amtrak dining car is as close as most of us will get to making contact with a random group of ordinary Americans.

Long-distance rail travel is another interesting case. The day of the long-distance passenger train has mostly passed in the United States.  Even so, some travelers and a handful of trains remain. By custom, a single passenger eating in the dining car of a train will be asked to join others to make a table of four. Amtrak doesn’t accommodate the shy who want to eat alone. Perhaps no other social routine is so likely to throw a person into the intimacy of a shared meal with total strangers. And yet the experience can be surprisingly refreshing.

If most of us live in a bubble of like-minded friends, the dining car is easily going to pierce it. On a recent trip that included lunch and diner I met a clearly well-heeled woman from Virginia horse country returning home after a speech to a woman’s group.  We sat across from a trucker from Elkhart Indiana who delivers buses all over the U.S. (and had to tell us about his $60,000-a-year salary).  At other meals I met two retired professors from Berkeley on their way to see family members in Minnesota, a grizzled Florida retiree returning from a football game in Nebraska, and a perfectly dressed older woman off to see friends in the District of Columbia.

The rules of the table were always clear: references to hometowns, the lateness of the train, and dispersed families are all fair game. Politics, religion and other “third rail” topics are not.  We also had the common experience of having hit a car just after midnight.  It had died and been hastily abandoned on the tracks.  So we compared notes on who had been able to sleep while fire crews pulled the impaled automobile off the front of the engine.

My experience is that Midwesterners sometimes go on for too long about the prospects of their city or college football teams. I usually return the favor by becoming loquacious about the surprising beauty of New Jersey. But there is a bigger lesson here. Spending time in these close quarters is usually reassuring.  If we allow it, even this chance encounter can remind us of our shared and simple decency.

 

Anchors

                     Sociogram                               Wikimedia

For many of us “connecting” has become synonymous with “communicating.”

The two basic social functions of communication are to sustain our sense of place and our sense self.  A diverse group of thinkers ranging from sociologist George Herbert Mead to communication theorist John Peters have noted that we are sustained by anchors to others we interact with directly.  Those others may be met at home, in the neighborhood, at work, in community groups or through contact with friends. And of course there are the digital approximations of small pieces of us that we send and receive.  Indeed, for many of us “connecting” has become synonymous with “communicating.”  The tiny artifacts of ourselves we send to others are increasingly assumed to be enough.

One of the reasons parenting is so affirming—if sometimes more in theory than practice—is that the dependency relationship between parents and children is concrete and defining. Parenting is a reminder of the burdens and rewards that come from the monumental task of shaping the world of another human being. No wonder some experience the remorse that can come to the “empty nester.”  They have had to relinquish most of the nurturing, guidance and witnessing that–as the cliche has it–gave their lives meaning.

There is also another narrative.  Workers will sometimes admit to feeling guilty about escaping to an office where one’s place is seemingly secure and affirmed.  While many parents can’t imagine entrusting their toddlers to a sitter or daycare, others seem to adapt easily.  Indeed, a number of workers report that life can be more predictable and supportive in the office than at home, where the new and unformed ego in their care has yet to learn that others matter.  With either parenting narrative note that we still end up at the same spot; it’s the direct contact with others that matters.

Can playing video games at a normative six hours a day turn an adolescent into the kind of person he will need to be in ten or twenty years? 

Research twenty years ago pointed to television as the mostly likely threat to the maintenance of self through direct contact.  The concern then was frequently framed in terms of the one-way nature of television, whose characters cannot return the interest we freely give to them.  In this world of “para social” relationships, a person who cares about whether Rory Gilmore will finally succeed as a professional writer–a long plotline in the popular Gilmore Girls–has made a small but consequential shift toward a world that is at once more predictable and attractive than may be the case with one’s own family.  Rory always looks great, is unfailingly polite, and has very clever things to say.  Who might not be tempted to “live” in her simplified universe?  But at best the “relationship” between a television character and viewer is “para-social”–only an approximation of the real thing. Rory can never be who we may need her to be.  She can never be there for us. In terms of a sociogram (above), she could only be represented with a dotted line, an arrow  going toward us, but not being returned.

Here’s the challenge: if electronic media allow us to put our heads in one place while our bodies are in another, are we destined for relatively barren emotional lives?  Does this fact of contemporary force us to sacrifice important social anchors?  To shift examples, can playing video games six hours a day (a gamer norm) turn an adolescent into the kind of person he will need to be in ten or twenty years?

This critique made years ago by Neil Postman and Joshua Meyrowitz, among others, may still hold.  And, of course, the dual pathways outlined here are more complex and blended. But in fact most of us have committed ourselves to interaction at a distance via various social media platforms where feedback is minimal.  We even have a president who seems more comfortable issuing tweets than knowing how to act in the presence of others.

In short, where we are physically is arguably less important today than the digital drop boxes where we have deposited the contents of our heads.  We use these as social substitutions in what is sometimes a long and perilous digital chain. The key question is whether they can provide enough in return to affirm that we still matter.