red concave bar 1

Facing the Risks in the Soup Isle

We have a new understanding of where the “front lines” are right now, and they are much closer than the beaches of Normandy the Korean demilitarized zone.

A book series I edit includes two volumes of scholarly research exploring the meanings and feelings associated with the great monuments built in in Washington D.C.  Visitors usually look forward to seeing the elaborate edifices put up to honor Washington, Jefferson, Lincoln and others associated with the nation’s real or and sometimes imagined enemies. Most cities emulate these monuments in their own tributes, frequently featuring generals and other leaders on horseback. Statues of generals on top of a horse have become their own urban clichés.

Even so, it strikes me that all of us involved in these projects were busy cataloguing the familiar while overlooking the obvious.  In truth, scores of nameless individuals soldier on quietly doing much of the nation’s work, which can become ominously dangerous.  These men and women are often not in the sights of the hero-makers, but it’s time they were. In the time of the COVID-19 virus we have suddenly realized how much we owe our safety and perhaps our lives to nurses, doctors, sanitation workers, first responders, grocery store employees, senior-care aides, postal workers and delivery men and women.  We now have a new understanding of where the “front lines” are now, and they are much closer than the beaches of Normandy the Korean demilitarized zone.

I’ve never seen a monument to a check-out clerk from Target, an E.R. doctor in scrubs, or the employee behind the Deli counter at the local grocery store. Right now their heroism during hurricanes, natural disasters and especially this virus seems much more tangible than the tributes to individuals who have been affiliated with battle-ready organizations, but never had to consider the possible dire consequences of helping a customer. It’s interesting that the iconic actor John Wayne fought World War II and the Vietnam War only from the soundstages of Hollywood, keeping up his faux toughness with a heedless and rabid form of anti-Communism. And yet, for all of these dubious achievements he’s been honored with his name on a major American airport. Sometimes we seem to miss the greatness of people around us doing essential work.

We should have the grace to realign our thinking to more clearly honor that those who have the patience and perseverance to show up and provide help when the health and lives of Americans are in peril. They deserve our gratitude and far more recognition.

red bar graphic

The Fred Rogers Moment

The subject of masculine ways of coping has never been more top-of-mind.

In her book You Just Don’t Understand (1992) Deborah Tannen notes that men tend to be more assertive and less self-disclosive than women. Tannen was one of many scholars interested in mapping the different rhetorical styles of the sexes. That was the 90s. Now, nearly two decades later, gender has never been a more fluid idea. Moreover, early research on male behavior patterns tended to take myriad exceptions off the table.  Even so, she was surely right to note that there is a masculine style of assertion and opinion-giving that remains a relatively durable norm.

Even a lunch with my male colleagues can lead to a round of firm and forceful opinions laid out for others at the table to take or leave. We throw them around like players in the infield warming up before a game. The style is more or less the opposite of the listening and questioning that Tannen described as a norm for a feminine style.

These old formulations came to mind when I was watching Morgan Neville’s documentary about Fred Rogers, Won’t You be My Neighbor (2018) and the more recent Tom Hanks film A Beautiful Day in the Neighborhood (2019). Both feature a lot of footage of Rogers with children, of course, but also with a number of parents and admirers as well.  In our current polarized climate it clearly shows a different kind of man.  The film which has just migrated to cable and public television outlets features the children’s television pioneer as a patient slow-talker with a natural curiosity.  Rogers was a good match for the kids that Mr. Roger’s Neighborhood was intended to reach.

It was even more interesting to see Rogers testifying before Congress in 1969, trying to secure permanent funding for the shaky new medium of public television. In contrast to the crusty chair of the Senate Sub-Committee on Communications, Rogers seemed like a totally different kind of advocate: patient, a bit tentative, and more indirect than assertive. The Presbyterian minister who turned to children’s television in order to save it seemed more pastoral than insistent.  Was he ahead of his time?

The subject of masculine ways of coping has never been more top-of-mind. The wider release of these Rogers films were preceded with a high visibility of a set of ads sponsored by the Gillette brand of Procter and Gamble.  “We Believe: the Best Men Can Be” was a series of spots cut to different lengths, all disowning a kind of macho-masculinity that is still easily recognized: matching threats with threats, groping women, and thoughtless fathers raising boys to be more tough than compassionate.

With the #MeToo Movement and “rape culture” as topic number one in Hollywood as well as most American university campuses, there has perhaps never been a cultural moment when the idea of masculine bravado looked so out of place. Of course how ‘out of place’ depends where one is.  But we are clearly at the beginning of a period when bluster and opinion-giving (“mansplaining” in one modern formulation) look like they’ve had their day.  Among other signs, the shameless mendaciousness of our President looks even more tired and shopworn.