Category Archives: Reviews

A Sampling of Revelatory Books on What Human Communication Is, and the Ways we Use its Resources

These books are especially thought-provoking for anyone seeking new perspectives on what it means to communicate.

As with every discipline, communication studies includes a special class of books that will profoundly change how we think about the subject. Omitting technical and jargon-laden tomes about communication, I suggest the following as interesting eye-openers that are accessible to any serious reader. All of these books share the trait of forcing us to rethink assumptions that sometimes more comfortable than accurate.

Erving Goffman Source: Wikipedia.org
                Erving Goffman
         Source: Wikipedia.org

The list is wide-ranging, mixing history with media theory and some far-ranging discussions of what is possible in human communication. Though some of these studies were published years ago, they remain thought-provoking for anyone interested in peeling back the onion of communication to look at some of its inner layers. These books are listed in approximate order of their accessibility to a general reader.

Erving Goffman, The Presentation of Self in Everyday Life (Anchor Books, 1959).  Goffman was a professor at the University of Pennsylvania whose influence has been global. His methodology of deep observation of everyday events provides all kinds of insights about the intricacies of even simple interactions. The book remains a stalwart for anyone interested in the sociology and communication, and for good reason. His observations of the familiar–restaurants especially fascinate him–is the perfect antidote to the bland survey research that now dominates so much of the social sciences. And because he helps us see the familiar in new ways, he’s fun to read.

Neal Gabler, An Empire of Their Own: How the Jews Invented Hollywood (Anchor, 1998). Gabler’s study of the first film entrepreneurs is a wonderful piece of social history. He observes that the men who gave us film factories reliably turning out middle-class visions of the American dream were, in many cases, socially marginalized by a virulent anti-Semitism. The ironic result is that they were sometimes kept out of key institutions in the very town they created. The book also confirms how vital film and its modern forms remain central to understanding ourselves in the world.

Nicholas Carr, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011)  Carr’s popular book makes the case that the pacing and fragmentation of internet content is undermining our abilities to be critical thinkers. If he is not always convincing in describing the effects of heavy doses of screen time now common to almost all of us, his claims raise questions that everyone in the wired portion of the planet should consider.

Sherry Turkle, Reclaiming Conversation: The Power of Talk in a Digital Age (Penguin, 2015).  Sherry Turkle argues in this useful and eminently readable study, that this default model for communication is direct conversation.  And using this benchmark, she offers interviews and observations that suggest we are drifting toward preferences for connecting that weaken our links to full and vital face to face exchanges. Her concern is how we maintain our social nature if our children in particular now fear the unpredictability of direct contact with others. As she notes in her conclusion, “We want more from technology and less from each other. What once would have seemed like ‘friendly service’” from a sales clerk has “now become an inconvenience that keeps us from our phones.”

Joshua Meyrowitz, No Sense of Place (Oxford, 1986). Although written a number of years ago and in advance of widespread use of the internet, Meyrowitz makes what I believe is the best case that newer forms of human communication have undermined the psychological security that came with living only in real space and time. The book is revelatory in its assessment of how visual media work as irresistible magnets for our attention, and how visual media often weaken connections that truly matter. Given his use of seminal thinkers like Goffman and Susanne Langer, Meyrowitz’s framework for assessing communication processes is unsurpassed.  By the end of the book he’s offered a haunting intellectual case for how electronic media have destabilized once secure sources of personal identity.

John Durham Peters, Speaking Into the Air (University of Chicago, 1999). Peters is a Professor of Communication Studies at the University of Iowa and a frequent critic of the common aspirations we have for communication.  The Introduction to this book is alone worth a look.  It takes apart most of the cherished myths we hold, among them: that communication is the best pathway for settling long-standing differences, and the idea that disagreement is just a matter of misunderstanding.  When he starts by noting that “Communication is a registry of modern longings,” a reader can already sense that he is going to deconstruct many a cherished belief about the power of talk. The references in the book are sometimes obscure.  But every chapter has interesting observations, most of which come by quoting writers and thinkers who were experiencing the powers of telegraphy and the telephone for the first time.  Peters also has interesting things to say about communicating with machines, animals and perhaps other sentient beings in the universe.

Hugh Dalziel Duncan, Communication and Social Order (Oxford, 1984)  Duncan was an interpreter and synthesizer of a number of important scholars of rhetoric and literature, most notably Kenneth Burke. In this academic book he offers nothing less than a complete course on how to approach almost any human action as moment of social engagement. His understanding of the wellsprings of comedy is especially rewarding, and further evidence for the old saw that creating humor is a serious business.

Comments:  woodward@tcnj.edu

Logo

Music as Memory

Source: wikipedia.org
Source: wikipedia.org

 Music is undervalued if it is seen as anything less than the generative source for refreshing the human spirit.

In a recent review of a book about sound in public spaces I puzzled over Kate Lacey’s decision to focus on speeches, radio and the like while excluding music (Listening Publics: The Politics and Experience of Listening in the Media Age, 2013).  It seems impossible to address ways of hearing without discussing the aural form that has a lock on so many of us. Watch a two year old child move to the beat of a song and we are reminded that the ear readily learns to love music’s rhythm-embedded feelings.  Often minimized as a pleasant addendum to life, music is more accurately described as central to its enactment.

All of this was eloquently reinforced with the recent Netflix release of Michael Rossato-Bennett’s 2014 documentary,  Alive Inside. The filmmaker initially signed on for just one-day to film an effort to reclaim an older American lost to dementia. The experiment soon captivated the filmmaker and became a full-time project.

Most of the film’s subjects were selected by social worker Dan Cohen, who discovered that many seniors reconnected with their own lost memories when reintroduced to the music of their youth via an MP3 player.  For one older gentleman it was simply enough to hear the restless swing of Cab Calloway through earbuds to lift a fog of non-communication.  The nearly catatonic man began to engage with Cohen more or less as a conversational equal.  Beyond kick-starting lost memories, the music brought the man alive emotionally.  He suddenly had access to his distant past as an accomplished dancer self-confident musician.

The idea of a wearer of a set of headphones experiencing private ecstasy is hardly new to us.  But it means so much more when the person listening was thought to be little more than a piece of human furniture.  Music creates and then reconnects us to our own histories.

The same was true when the headphones were placed on Mary Lou Thompson, a younger woman perhaps in her early sixties with early-onset Alzheimers. Even recognizing the purpose of an elevator button was difficult. Thompson’s fit and obviously capable husband could only marvel at the sight of his wife, earbuds in place, slowly unfolding her lean tall frame to glory in an old Beach Boys song she obviously never forgot. It was like watching a time-lapse image of a newly-opened flower reaching for the sun. I’ve seen very few screen documentaries that so dramatically revealed the transformation of a person’s mental life.

There may be reasons to lament the mobile phone as a device that undercuts the value of direct and immediate experience.  But the portable music player has enriched us a lot.  A music library stored on a small electronic card fully delivers on the promise of making art portable and ubiquitous.

Even the crusty innovator Thomas Edison sensed music’s power to mesmerize.  Listeners clamored to hear distant voices and songs on his audio cylinders, often through rubber ear tubes. He seemed to understand the regenerative possibilities the aural has for refreshing the human spirit. It’s little surprise he identified the humble phonograph as his most satisfying invention.

Comments: woodward@tcnj.edu