Category Archives: Problem Practices

Communication behavior or analysis that is often counter-productive

What All The A.I. Doom Misses

Greg Toland

Real-world communication is more about expression, not problem-solving.

Most of those who are weighing in on the potentially disastrous effects of A.I. have allowed their focus to become too narrow. Bad effects are usually overestimated because of an error in thinking. The mistake is to assume that A.I. is mostly about being an “intelligent problem-solver,” forgetting that human instruments of communication and contact involve so much more.

Granted, digital systems handle data better than most of us; and for that we should be grateful. But even in recent years we still spend hours correcting the actions and content of advanced bots that are ostensibly good at manipulating data. Think of all of the supposedly smart algorithms that often deliver nonsense to what amounts to inaccurate versions of ourselves.

But here’s the bigger problem. Those talking doom to us are mostly listening to engineers. And engineers tend to see communication in terms of “problems and solutions” driven by “powerful intelligence.”  They are interested in what circuits can do; less so in what they try to say. And any tool with a circuit at its heart is bound to come up short in grasping true intelligence. For example, A.I. output is not going to be meaningfully informed by specific instances of social intelligence arising from our passions; or a sense of kindred identification felt by humans (a non-quantifiable but real effect); or one person’s knowledge of another’s complicated backstory.

In addition, real-world communication is more about expression, not problem-solving. In fact, a person’s or a machine’s problem-solving efforts might be, for many of us, the least interesting thing we could note about them. Instead, we want to know who another person is, their sense of place, their feelings, attitudes, experiences, values, and their skills at reading behavioral cues, as imitated by MIT’s old “Kismet” Robot.

All is well with A.I. until real-world events intrude. If a person wants us to know that the president is “a moron,” or that Congress is “worthless,” we are ready to react using our own sets of attitudes set on our own terms. Through language humans carry a lifelong license to judge.  We are naturally motivated to discuss opinions, assertions of a critical nature, and facts in dispute. We know these central artifacts of everyday communication because our language requires it; its natural state is to have tendency. We utilize deep reservoirs of terms that match how we feel and attitudes we want to share. A modern dictionary can offer 65 alternate terms for the simple adjective, “clever.” Almost as many for “moron.” In everyday discourse, wording choices matter because they reveal pieces of ourselves and how our thoughts have been shaped.

It is thus the nature of human communication to use expressive language that our brain’s natural plasticity allows. Setting out on a quests for the most “intelligent” solutions? Not so much.

“It” and “I”

This language of evaluation is revealed in the use of the pronoun “I;” we expect whatever is said to be a representative artifact of a speaker’s or a subject’s life and history. Even the simple statement “He is a good friend” gives us a lot of social terrain to unpack. Among other things, there is an implied “I.” The statement may seem to be about someone else. But it is also about the speaker.

Capture digital sample

So where is A.I. of various sorts in all of this?  It is mostly irrelevant, since attitudes and feelings are uniquely human. “It,” or a cute name as a stand-in for a generative A.I. system, is completely opaque. To be sure, A.I. can surely fake an attitude, though some chatbots are programmed to beg off. And artificial humans can simulate painting a picture, composing a pop song, or writing a poem. In those forms we can expect all sorts of bits that are derivatives of what were once real human acts. But most of us are pretty good at sorting out a simulacrum of human expression from the real thing. Indeed, even “smart” A.I. has no agency. Any attempt at sentience is still a machine mock-up that pretends to create thoughts derived from . . . what exactly? An organism has a substantial biological and social history. We are the products of layers of experience over decades. And that means something. Among other things, humans, carry the foreknowledge of a finite life cycle. That alone alters our expressions and decisions in ways that are beyond calculation.

To come down off of the doom cloud, it is important to remember that the passion that sits at the heart of most expressive communication flows from the natural impulse to meld perceptions of our life history into a unique and expressive self. Personal language is a kind of fingerprint: special to us and not to others. I may want a calculator or a spreadsheet to carry out computations. And I’d be pleased to have A.I. weigh in with a second opinion on a serious medical diagnosis. But most of the time we thrive on expressive rather than data-driven instrumental communication. We continually insist on offering verbal tokens of ourselves to be read as part of a unique persona. We typically use our rhetoric to perform and display the products of our personhood. So we can have an A.I. letter sent to a close friend. But it cannot construct an authentic history of prior interpersonal contact that would be in a personal note. It follows that persons should want to protect their rights of authorship. Why would anyone settle for an assemblage of off-the-shelf expressions that will be blind to the sender’s or receiver’s unique natures?

Degrading the Youthful Birthright of Music

 

Has Music Become a Second-Tier Backup?

The popular music YouTuber Rick Beato recently posted a short piece asserting that kids—including his own—have devalued music in their lives by tying its delivery to their smartphones. In his 60s and completely sound-centric, Beato remembers his own youth when collecting and listening to music was a prized means of expressing their own identity. As I noted in the last post, recordings, record stores and radio airplay meant a lot. But his point that 4G and 5G technology as applied to smartphones has changed a lot. I would add that the phone screen partly changed the ratio of our dominant senses by giving communication in general a more visual and less auditory focus.

Sight now dominates over sound in almost all media forms: games, chats, texting, and social media content. To be sure, music is surely still within this mix. Headphones have become standard personal gear for many, in spite of the unfortunate “I’m not in this space” vibe that wearing them passes on to others nearby. But Beato is probably right to assert that contemporary pop music has receded in importance, used as an aural background for other activities. It is less surprising that even the younger among us might not recognize many of the performers on Billboard’s “Hot 100.”

There is also a strange but revealing anomaly that used to be common. These days, no one now sits around and watches a record play. I mean that literally. The mid-century habit was once common among the young where attention was paid on what was being heard. We weren’t exactly in a trance but our visual sense was put on hold in order to focus on the music spinning out of the grooves. As was also true in the heyday of radio, complete listening could put the need to see something on pause.  We have all had the experience of hearing something so intently that our eyes drift into an inactive state.

In terms of my own previous work in The Sonic Imperative (available to download on this site), we are now much less “sound-centric.” And I’ve heard it scores of times: a student struggling with an academic subject complaining that he or she is a “visual thinker.” Learning or entertaining oneself by hearing might seem to have had its day. But it has not.  For reasons explained in the book, the processing of sound still remains our first sense. 

Social Media Dominates 

teens and cell phones

17-year-olds average almost 6 hours a day on social media. While some of that time is allocated to “listening” to music, researchers note that this is background for other activities such as homework, gameplaying or work. In this framework, the music video born in the 1980s was an adaptation and a form of self-defense. The hooks to these videos were often the images added to remain competitive as music television expanded. Even so, it was hard to fault musicians who resisted turning their audio art into a clutter of visual memes.

Add up what is now the default youthful focus on watching short-form videos, and we would get a pretty low index of our sensory experiences. All of the accumulated visual editing yields very little that matters; not the experience of those lucky enough to still be caught by the raptures of music.