All posts by Gary C. Woodward

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The Murrow Play: A Timely Reminder

The play is a timely and generous act of public service by the 63-year-old film actor.

George Clooney is appearing on Broadway at the Winter Garden Theater next month in a theater piece adapted from his screenplay written twenty years ago with Grant Heslov. Good Night and Good luck is based on the successful 2005 film about Edward R. Murrow, easily the most honored news broadcaster in the history of the medium. Murrow’s name is still tied to references to journalistic courage that went from radio in World War II to the first full decade of commercial television. A group of young news reporters known now as “Murrow’s boys” saw him as a model, with most going on to develop important careers at all of the networks.

The action takes place in a tense CBS television studio in the bowels of Grand Central Station, as Murrow unleashes a broadside against Wisconsin Senator Joseph McCarthy. It is 1953, and Murrow and producer Fred Friendly are ready to take on the senator known for reckless attacks on scores of civilians and celebrities imagined as “communist sympathizers.” At this time in the cold war the charges stung: the rough equivalent today of passing state secrets to the nation’s enemies.

“McCarthyism” still stands for career-destroying accusations by the powerful that have little validity. Sound familiar? Then, the specific issue was over the senator’s false accusations of communists in the Army, State Department, and probably the Girl Scouts as well. If he were more self-aware, our current president would hotly deny the many unflattering comparisons made today. Delivering lies and false accusations with abandon never seems to go out of style.

The uncomfortable coincidences are a reminder that the Fourth Estate will to have to stand strong against our accusatory President and his followers. The banning of the Associated Press from the White House is a case in point. They are soldiering on anyway, along with The Atlantic, The Wall Street Journal and the New York Times, among others. Ditto for several cable news outlets as well.

The play is a generous public service offered by the 63-year-old film actor who has never done live theater, tackling the role of Murrow for the first time. In a clip from the 2005 film a younger Clooney plays producer Fred Friendly, and Murrow is played with uncanny accuracy of David Strathairn.

The film and the play involve two key moments in Murrow’s career: a single program setting the recording straight about a mistaken charge  by McCarthy leveled against Milo Radulovich, a former member of the Air Force. The second event is a few years later in the form of a speech to peers warning about not caving in to soft news stories.

To be branded “pink” then was to be a national pariah and a false charge against Radulovich.  A See It Now program carefully prepared by Friendly and Murrow was a chance to call out this particular conspiracy theory that included allegations of communist collusion. This was no sure thing. The network and its sponsors were mighty unhappy that Murrow and Friendly wanted to take down McCarthy in prime time. CBS Chairman William Paley liked Murrow best when he did celebrity interviews for the popular Person to Person. But he was less enthusiastic about CBS Reports and See it Now when the Murrow team aired controversial programs on subjects like the blight of farm workers, or the empty attacks made by the rabid senator.  Here is a sample of Murrow at work in the Radulovich program:

The second moment emphasized in these dramas is a speech delivered in 1958 to a gathering of Radio and Television News Directors in Chicago’s Blackstone Hotel. In my study of Murrow in Persuasive Encounters (1990) I described the speech as a the rarest and most interesting kind of public address: a warning—a Jeremiad—to peers and colleagues. Murrow made it clear that the young medium of television was failing in its most important mission of providing nationally important and significant news.  With a bit of sarcasm he told his peers that their work is worthless if it does not help their audiences sort out fictions from hard fact. The address infuriated Paley, who favored light comedy in prime time.  But it was typical of Murrow.

Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or perhaps in color, evidence of decadence, escapism and insulation from the realities of the world in which we live.

For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities which must indeed be faced if we are to survive. And I mean the word survive, quite literally. If there were to be a competition in indifference, or perhaps in insulation from reality, then Nero and his fiddle, Chamberlain and his umbrella, could not find a place on an early afternoon sustaining show. If Hollywood were to run out of Indians, the program schedules would be mangled beyond all recognition. Then perhaps, some young and courageous soul with a small budget might do a documentary telling what, in fact, we have done–and are still doing–to the Indians in this country. But that would be unpleasant. And we must at all costs shield the sensitive citizen from anything that is unpleasant.

It might now be obvious to accuse television of “escapism and insulation from the realities of the world.”  But this was Murrow when the medium was still establishing its own conventions. And it suggests that his kind of journalism could still teach us something today.

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The Recurring Ruptures of American Life

Our official origin story of a national melting pot is what many still express, but millions of citizens carry the scars of bigotry, racism, sexism and homophobia. It is an old story that still puts many Americans out of the picture.

Live long enough on the unsteady terrain of American civil affairs and it seems like the seismic upheavals are frequent and endless. Patterns of breakdown bump into other existential threats that vie for attention. Natural disasters overlay human ones, as in the devastation in the Los Angeles area. Just now, the most recent fissures are evident in racial ghosting, anti-WOKE conspiracies, federal dismemberment, and the takeover of national electoral politics by the super-rich. All feed contorted mutations of language that almost make the absurd seem plausible.

The nation’s material wealth may soften the experience of moving too fast over unstable ground. But the ground will still win, with many retreating into origin stories that mostly skirt the white-man tribalism that has surfaced yet again. The American skill for euphemism has meant that patterns of dominance and control have mostly been renamed out of existence. But The remnants of past ruptures lie around us in a visible topology. It is hard not to be drawn to the edge, where dreams of national destiny keep us focused on the horizon rather than what is at our feet. Our official origin story of a national melting pot is what many still express, but millions of citizens carry the scars of bigotry, racism, sexism and homophobia.

Rumbles from the unstable ground come often enough to keep our politics in a state of a perpetual suspicion, a thread that extends far back to skirmishes with the French in the 1750s, and the British in the 1770s. In the modern era the nation faced real threats of Nazi domination, as well as exaggerated fears of victimage at the hands of Soviet or Chinese communists. Active thoughts of conspiracy blend with recurring instances of literal and rhetorical assassinations that have easily been top of mind in the eras of Kennedy, Nixon, King, Reagan, the second Bush, and now, Trump’s dangerous delusions of a hostility everywhere.

Trump has turned almost every relationship with other states into a test of wills, energized by a laundry list of imagined slights that require retribution. This is most obvious in the hostile turn on Canada, whose public discourse has mostly escaped the shadows and fog thrown off by American political rhetoric. As is often noted, maybe Canadians profited from missing a searing national birth in a true revolution. They and most of us can’t fathom the demons that currently drive the economic vengeance of their neighbor.

The “national story” is full of too many cracks to be covered over in the “preferred narratives” we tell ourselves.

We think the long reach of time is in our favor, ignoring the warning of Henry Adams, who wrote in 1879 that history “must submit to the final and fundamental necessity Degradation.”

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This idea of decline is a continual theme in the work of one of the nation’s most important observers of our national life. In Slouching Toward Bethlehem (1968) Joan Didion, who passed away in 2021, refused to yield to the romance of 60s liberalism, with promises of a “counterculture” forging ahead in a new and less imperialistic nation. A writer of fiction and thoughtful books of observational reporting, the California native usually began with the trenchant principle that we tell each other stories “in order to live.” But her method always to included implicit caveat that narratives invite counternarratives. If most writers stayed in the center lanes of thought, Didion was the more dangerous observer willing to stay on the verges to get a better view of the abyss. Born in California and drawn to its fluid culture of Malibu as well as Goldwater libertarianism, Didion noticed the obvious decline of interpersonal connection that was beginning to favor atomized experience over collective action. Writing through the last quarter of the last century, she also saw a drift away from  institutional and personal distrust that advanced democracies needs to flourish. As biographer Tracy Daugherty noted, “Didion felt this historical decline in her bones. The “national story” was full of too many cracks to be covered over in the “preferred narratives” we tell ourselves. Now, even the wealthy want to report ‘exact representations of their own victimization’ to whomever will listen. Such talk of the otherness of strangers results in the popular idea that even affluent cities have been “ruined” by the poor or homeless.

Roughly half in our polarized society thought their abuse was caused by large government, while others have recognized the value of a federal role in knitting the nation together. She tended to side with the skeptics, using her voice in the literate style of the “new journalism.” In one memorable account of hippie parents in San Francisco’s Haight-Ashbury the preferred narrative might often the sentimental romance with the Age of Aquarius. Didion offered another memorable view, including an account of a five-year-old in a squalid apartment hooked on LSD.

Reading Didion’s work in the 80s led many of us to conclude that her reporting about a fake national dream seemed too dark for the times. We wanted to see the pleasant glow, but we missed the fire. She was not distracted to and recorded the relentless and cyclical collapse of national intentions in Cuba, Vietnam, Laos, Panama and elsewhere. Halting steps toward the leveling of opportunity was always the best part of the American project. But gains were offset by the trauma and eventual numbness from the spate of assassinations, violent crime, school shootings, and racial tensions even in seemingly progressive cities. These fissures in American life seemed beyond what was possible with our incrementalist politics. With a few exceptions, like Lyndon’s Johnson’s Great Society programs in the early 1960s, it seems clear that otherwise limited horizons and an ossifying culture would make little headway in smoothing these kinds of fault lines.  As Didion once noted, “The center will not hold.”

Our constitution blocks the timelier self-corrections that can happen in parliamentary systems. Squint a little and an independent executive and Congress in one month can easily look like a politburo and an oligarch in the next. Until the election of Trump, the nation had not faced so committed a chaos agent, and one from a blue state. The election caught us looking in the wrong direction, guessing that our largest existential rupture would come at the hands of a dominant southern Congress.