Category Archives: Rhetorical Mastery

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Our Fragmented Consciousness

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How can we keep our focus when our informational world has paced almost everything at hyper speeds?

By definition, a distraction is a detour. It happens when the continuity of some effort is broken by the need to shift attention elsewhere. Since this website is dedicated to communicating in “the age of distraction”—be it advertising clutter, too many texts and e-mails, or the frenetic pace of overscheduled lives—we should have an interest in persons who resist all the cultural noise.  For the record, the problem isn’t entirely new. The ballad “Over The Rainbow” (1939) was initially cut from the Wizard of Oz because some bright light in the studio’s front office thought that it slowed things down.

The Advantages of Linear Thinking

One answer to this problem is to discipline ourselves to follow a more linear pathway, even though cultivating this kind of thinking cuts against the grain of the culture.  And it’s not easy to tell the world to take a hike while we muse alone in our own self-made bubble.

Linear thinkers take many forms:  avid readers content to devote large chunks of time to a single work of fiction or non-fiction, artists happily left alone to work through decisions that will end up on canvass or as musical notation.  We’ve enshrined the image of the “mad scientist” as a loner following the threads of their research with long hours in the lab, leaving family and friends to fend on their own.

If previous generations were more focused, our Twitter world is more scattered.  The folks that track these things indicate that the average American checks his or her phone nearly 100 times a day. Much of American television is predicated on breaking for a range of short commercials: so many, in fact, that a viewer can momentarily forget what they were watching.  And the programs themselves are edited to the beat of a fast song, with shooting angles and cutaways coming every few seconds. Fast cutting, where camera changes may happen every two seconds, is in style.  The long single ‘take’ is relegated to a few auteur film directors who are willing to gamble that an unbroken shot can be interesting.

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Linear thinking is the realm of the problem-solver, the creator, the owner of a consciousness that will discover and understand what a fragmented thinker may never find.

George Frederick Handel wrote the great oratorio Messiah in spurt of nearly unbroken concentration, finishing in just over three weeks.  And imagine the sustained effort required by William Lamb’s architectural firm, who designed and prepared drawings for New York City’s Empire State Building in an incredibly short two weeks. The iconic skyscraper was completed in just over a year.  Such dedication to a single task can be scaled down to what many writers sense when they notice the time that vanishes when they are absorbed in their work.

The linear thinker routinely does what many vacationers hope for: a chance to clear the decks of everyday clutter sufficiently to see an unobstructed view of the horizon. Undisturbed concentration gives them power.  It may happen when we are walking, watching a sunset, or perhaps sitting alone on a boat dock with nothing else to distract.  These are the realms of the problem-solver, the creator, the owner of a consciousness that will discover and understand what a fragmented thinker may never find. Unbroken attention allows a first effort to build on the synergies that begin when scattered thinking begins to see connections and consequences that others may miss.

The Mistake of Pushing Complexity Out of Bounds 

This is the reverse of the kind of segmentation of effort that is now embedded in our work and so much of our media. A reader’s time on a single web page is usually under a minute.  And we are getting cues from all over that we’re not noticing our preference for hyper-compression. Consider, for example, the New York Times reporter who recently noted in passing that an individual “argued” a point “on Twitter.”  Really?  Can a person “argue” in the traditional sense of the term—which includes asserting a claim and its good reasons—in a verbal closet of fewer than 500 words?  Twitter imposes absurd limitations on the expression of a complete idea, and is easily matched by political ads that “argue” public policy in 30-seconds, television news “sound bites” from policy-makers that average around eight seconds, and the de-facto editing style of commercial television that cuts individual shots down to lengths of two or three seconds.  All of this means that there is no time for enlarge on the complexities of issues or attitudes.

We now think of a Ted Talk with a maximum running length of 18 minutes as an “in depth” discursive form. No wonder some of my students thought of a 70-minute lecture or a 40- page chapter as the functional equivalent of a long slog across a vast and empty space.  All of this makes our dawning recognition that reading levels are falling even more worrisome.  One of the great virtues of juvenile and adult literature is that the process is still mostly linear. Like the rest of us, kids are easily hooked on continuous and sequential narratives.

Sherlock Holmes wikimedia
           Sherlock Holmes

Interestingly, one of the features sometimes seen in a person at the higher end of the autism spectrum scale is a consuming and total passion for one thing. Subjects on the spectrum are especially known for their laser-focused interests, making them a challenging fit in a culture that rewards frequent pivots to completely different activities.  But the habit of extended attention can be a blessing.  Psychological historians believe we can thank mild forms of autism for the achievements of Mozart, Beethoven, Charles Darwin, and Lewis Carroll.  And it is surely the dominant psychological trait of the world’s favorite sleuth, Sherlock Holmes.

Given the misplaced importance of multi-tasking across the culture, it makes sense that there is building interest in novel  ideas like the self-driving car. Negotiating a ribbon of open road is a literally a linear process that seems increasingly beyond the capacities of many drivers. It’s probably better to let a computer take care of a task that many aren’t mentally equipped to manage themselves.

One small suggestion for moving back to a state of extended consciousness on one thing is to pick a major orchestral work or favorite writer, making it a point to ‘swim’ in their waters for more than a few minutes.  The trick is to not take on another task for an alternate source of attention. You will hear or see more.  The hard truth is that thinking well about a subject needs effort and concentration.

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“They Came from Another America”

She was stunned that the news that came to the Royal Hawaiian Hotel produced little more than a shrug from other vacationers.

Since it was formed, citizens of the United States have demonstrated that they have diverging ideas about the true animating force of their nation. Is it enough to have a shared interest in maximizing personal freedom?  What does it mean when others are indifferent to a national tragedy?

Full citizenship and its protections were withheld from many over most of our history. But even with more enfranchised, it is apparent that a nation that spans a continent contains many differing values that can eclipse shared beliefs. Members of the European Union occupy another wide continental swath with some of the same challenges. Danes and Poles have cultural characteristics that are at least as wide as those separating native Texans from lifelong New Yorkers. Can citizens in so big an expanse still feel like that are part of the same tribe?

A picture of a culture that is more frayed quilt than a tightly-woven blanket came to mind in reading a revealing piece of literary detective work. It described the little-discussed dive into despair of the writer Joan Didion, a trenchant chronicler of American life. She was a leading American cultural critic who had the rare capacity to offer highly readable accounts of destructive forces swirling just beneath the surface calm of the American experience. Didion knew how to use a literary wide-angle lens to capture the national mood, noticing convulsions that others missed. Because she thought in terms of events laid out in oppositional narratives, she shed insight into alternate perceptions that others missed.

As Timothy Denevi notes in a recent piece in the New York Times, Didion and husband John were vacationing in Hawaii in 1968 and about to head into a sudden existential storm. In this unlikely place her natural California cool gave way to real symptoms of physical illness.

The Trigger

The specific event was June 4, the day Robert F. Kennedy was mortally wounded while leaving Los Angeles campaign appearance. She was stunned that the news penetrating the bubble of the Royal Hawaiian Hotel drew little more than a shrug from other vacationers. How could other Americans not recognize the loss of so temperate a voice while facing the morass of the Vietnam War?

Kennedy was very much a part of her stormy America she chronicled in collections of essays like The White Album, Slouching Towards Bethlehem and After Henry. Many saw him as an idealist that might pull the U.S. back from some of the national convulsions in the same year.  Martin Luther King has been shot to death in April. Thousands of American servicemen were dying at a rate of 2800 a month in Vietnam. And the once outsized President Lyndon Johnson had slowly shrunk behind a vail of sullenness. He said he would leave after just one term. The “battle of Chicago” between protesters and the army at the Democratic National Convention was still to come a few months later.

It was during a performance in the hotel by singer Don Ho that Didion’s experienced a full realization of nation that had torn loose of its anchors. The singer had just stopped in mid-performance to pass on the breaking news of Robert Kennedy’s assassination, pausing to offer a spontaneous prayer he sung to mark the moment. But others in the room were apparently having none of it, shouting to the singer to “quit the hymns” and jeering his response to the shock.  They still wanted the faux Hawaiian spectacle they had paid to see. The experience made her ill. In the aftermath she could not keep food down. But she still had the crystalline insight of a nation at war with itself.

No matter what your political feelings are, if you’re attached to the idea of the nation as a community—if you feel yourself to be part of that community—then obviously something has happened to that community. . . .  It seemed as if these people did not count themselves as part of the community.  They came from another America.”

A Warning of Things to Come

We are left to see an obvious pattern. This moment resonates because Didion’s sense of dislocation seems to have become a continuous sensation for many us. Like the shocking loss of a genuine American idealist, the daily conduct of many political figures today asks us to keep reliving the eminent dismemberment of the tribe. We must now experience the feeling that many within the culture occupy “another America:” less tied to the customs and norms that had defined the nation.

Didion died just weeks before the failed January 6 coup in the aftermath of the 2020 election. But in 1968 she already had the insight that the United States would not find its way back to the sturdy narratives Americans used to share.  Even then it was clear that a kind of national self-sabotage was becoming the new normal.

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