Category Archives: Models

Examples we can productively study

black bar

A Few Lessons From a Congress That Can’t Govern

Congress is the best example of the price we can pay when the rewards of public performance are greater than those of private negotiation.

Most Americans continue to focus on the broken Presidency.  Even so, no one looking for a model of governmental efficiency would get much comfort from a good look at the American Congress. Its twin failures to produce effective public policy and work with the President offer cautionary truths about how not to communicate to produce effective action.

The impeachment process is an aberration, if a necessary one.  But the bipartisanship that characterized the Nixon impeachment is missing.  It’s also true that this President does not think of himself as a true partner with the Congress. That’s obvious now, but even in prior years he showed little interest in helping to shape legislation.

All these caveats don’t fully explain why the two deliberative bodies within the Capitol are examples that no country wants to emulate.  And there are a few more. There is some cooperation at the staff level, and examples of effective bi-partisan cooperation are occasionally on display, as with the passage of ­­­­ several jobs and tax bills in 2012 and 2015­­­­­­­­­­, and in recent bipartisan condemnation of the President’s withdrawal of support for the Kurds in Syria. But the oft-heard cliche is now true: Congress is a broken institution with public approval ratings to match.

While this branch of the federal establishment was not designed to work with the efficiency of a parliament, where a head of government is chosen from the party that wins a plurality of seats, congressional dysfunction now leaves so much on the table that needs to be addressed: everything from immigration reform to timely allocations of funds for infrastructure improvements. We knew this institution was in deep trouble recently when in 2013 a sizable number of members were ready to risk a government default and the dollar’s status as the world’s reserve currency: all for the purpose of pressing a dubious ideological point.

Members note that they no longer the case that they socialize after work or even share a meal while in session. 

What’s wrong?  What best practices for communicating in organizations are routinely ignored?  Briefly, some of the overwhelming problems on Capitol Hill have their origins in two ineffective communication patterns.

The first is that the body is obviously and hopelessly organized into factions—notably parties, special interest caucuses, and their media—making it likely that members will only work in groups rather than as a whole.  Since most of the process of legislating is done away from the floors of the House and Senate, it falls to party leaders, whips and members to work out in private and with their own caucuses what they will accept by way of a legislative agenda. Differences of opinion have fewer chances to be moderated in environments that would encourage conciliation.  The founders feared this hyper partisanship for good reason.  Indeed, Senate Leader Mitch McConnell moves so cautiously in his narrow partisan lane that it can be hard to tell if his image on a screen is a still photo or video.

This problem is compounded by a long tradition of individual offices set up as separate fiefdoms and spread over four buildings on the east side of the capitol. One wonders how different legislative life would be if the 100 members of the Senate worked in the conditions known to most of white-collar America:  in the same ‘cubicle farm’ spread over one floor. Support staffs who enable the isolation of members could be moved to lower floors. This would encourage more discussion across party lines and more functional coalition-building.

A second problem is the changing character of those seeking high public office. In the age of the internet and 24-hour news there seems to be more interest in the expressive possibilities of serving in public office than actually doing the work of governing.  The requirements to continually raise campaign funds and screen time are all-consuming.

In the lore of Congress there has always been an expectation that the “show horses” would sometimes win out over the “work horses.”  A retired Lyndon Johnson once complained to a CBS producer about the “pretty boys” created by the growth of television.  The former Senate Majority leader’s point was that visual media gave rise to a new breed of members more interested in the theater of politics than finding ways to bridge differences.

Congress is simply the best example of the price we can pay when the rewards of public performance are greater than those of private negotiation.  So it offers some cautionary reminders to the rest of us working in complex bureaucracies. First, we can’t afford to isolate ourselves from others we expect to sign on to our initiatives. Leading  effectively still means using communication to build and sustain relations with those who have different views.  In addition, since its a solid axiom that we more easily find comity in small groups, trying to forge leadership from large bodies needs to be seen for the problem it frequently is: the organizational equivalent of trying to get even a few dozen college professors to form a single straight line.

In Praise of the Longform Documentary

There is simply no narrative form that is quite as effective as an extended video or film exploration of a complex person or trend.

Our heads are now and too often cast down to small screens so we can read even smaller messages.  Sometimes it seems like we are spending our time looking at the equivalents of fortune cookie aphorisms.

We can do so much better.  The technology is there.  We just have to show an interest.

One of the more recent advances in our media is not particularly “digital” at all; it’s the rebirth of the longform documentary focusing on important histories and cultural trends.  It’s not an overstatement to note that the culture changed after CNN broadcast Gabriela Cowperthwaite’s 83-minute documentary, Blackfish  in 2013.  More viewed it when it was distributed as a feature by Magnolia Pictures. Once people saw the trailer  they were drawn to the film.  Cowperthwaite put the issue of animal abuse front and center at the moment when the topic was at a cultural tipping point.

The prime advantage of most documentaries  are that they are inviting entry points into an important narrative. The subject could be popular a single musician, a saga about one family, or our financial system.  Diverse subjects have been explored with sensitivities to the people whose dreams have been realized or dashed by mostly systemic pressures that are not visible in shorter narratives.  Most are personal; documentary filmmakers understand that their focus needs to be on individuals with stories to tell and tough choices to make.  Many have also been trained to structure stories that are coherent even without an off-screen narrator.  That was once a novel mode of working, tried by Frederick Wiseman, which has since become the norm.

The longform documentary is sometimes still used by PBS, though they are often more enthusiastic about non-confrontational elements in the natural world.  And CBS once had a crack documentary unit headed up by Fred Friendly and Edward R. Murrow, now just a distant memory, but recalled in the feature-length docudrama, Good night and Good Luck (2002).  Now it is mostly the larger streaming services and cable services that buy and schedule hard-hitting documentaries.  HBO, Showtime and Netflix are examples. To be sure, financing documentaries and selling them is still a rugged and difficult process for a filmmaker, even though shooting can now be done using more economical digital equipment.  We can thank a handful of dedicated professionals who have persevered–Alex Gibney, D.A. Pennebaker and Chris Hegedus, Ken Burns, Michael Moore–among many others.

Here are a few favorites that are generally available for streaming and found with a simple Google search:

Working and Workers

  • American Factory (2019)
  • Roger and Me (1989)
  • The Last Truck (2009)
  • Last Train Home (2009)
  • Harlan County USA (1976)

Music

  • Jazz
  • Hitsville: The Making of Motown (2019)
  • Seymour: An Introduction (2015)
  • 20 feet from Stardom (2013)
  • Glen Campbell, I’ll be Me (2014)
  • Moon Over Broadway (1997)
  • The Last Waltz (1976)
  • Best Worst Thing That Could Have Happened (2016)
  • Woman of Heart and Mind (2003)

Politics, Culture and Society

  • Times of Harvey Milk (1984)
  • The Inventor (2019)
  • Alive Inside  (2010)
  • Enron: The Smartest Guys in the Room (2005)
  • Man on a Wire (2008)
  • The Fog of War (2003)
  • Sound and Fury (2000)
  • Hearts and Minds (1974)
  • An Inconvenient Truth (2006)
  • Gasland (2010)
  • Fyre (2019)
  • The War Room (1993)

There is simply no narrative form that is quite as effective as a well-made 90-minute exploration of a topic.  We are lucky that the form has never been more accessible.