Tag Archives: Trump administration

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What “News” has Become

                                  New York Times

We seem to be bleeding out the positive energy that was sometimes the national style. 

For many Americans this can seem like a season of despair. the constant din of alarming news on various platforms is wearing us out. Our politics now is fraught with controversy over the undoing of years of progress. Normal routes of trade and international cooperation have been undermined.  And, as ever, gun violence continues at about 47,000 deaths a year: much higher than most other peer nations. All of this has been made worse by a president who has mostly abandoned the usual roll of ‘binding up the nation’s wounds’ with appeals to transcendent values. Instead, his ersatz rhetoric of hate punishes individuals and institutions unaccustomed to having to defend their usually laudable objectives. Add in the fact that that legacy television news is folding under the crush of MAGA and FCC threats. ABC, CBS and NBC have yielded enough to have imprints of the President’s shoelaces on their foreheads.  How can a person escape this doom loop?

Most communities are safe, but the assurance of it is gone.  No wonder people are looking to A.I. for prepackaged nostalgia for times that weren’t necessarily better, but seemed more civil.

Researchers like Harvard’s Stephen Pinker note that a look at a lot of hard data reveals our world is now safer and less violent than in previous years (The Better Angels of Our Nature, 2010). The difference is the expansion of the personal boundaries of the known made possible by news sites and social media that have penetrated and been absorbed by the culture. Clearly, Americans think they are less secure. Their perceptions of violence and disruption penetrate our mediated spaces: from school shootings to the collapse of the social or physical infrastructures of whole communities.

Through all of this it is worth remembering what “news” has become. It is now a 24/7 preoccupation for many of us. And we shift seamlessly from video news, social media, and various online sites devoted to updates and opinion. There is a transformation of attention to reporting from a one-shot glance at a newspaper or evening newscast into incessant doom scrolling throughout the day. All-news channels like CNN mostly attract an older audience and continuous viewership. This has been confirmed by research that includes the corollary that these viewers feel less safe even in their own communities.

What exacerbates the problem is the decline in the kinds of activities that generally made people feel better about themselves and others, such as attending live events, attending church services, or participating in clubs and service organizations.

If we remember that traditional news has usually included the worst things that happened on a given day, the pool of available encounters within a population of nearly 400 million is always substantial. Hence, we get Robert Putnam’s representative image of a person bowling alone to feed our sense of personal isolation. Our discomfort is also fed by the steady drone of crime as entertainment, such as the elaborately produced and popular Netflix documentaries about lethal family members.

Solutions

So if news is now ubiquitous and a heavy tax on the soul, what are the solutions? How do we become less sour and more productively engaged? Of course, expressing opposition to the authoritarian impulses of this administration is a must. But it may also make sense to follow neuroscientist and musician Daniel Levitin’s advice to seek the restorative power of music. Among other things, music can reinstate our faith in the ability of different people to come together in support of one single vision. The parts of any composition are complementary rather than competitive. It is also gateway to those parts of the brain that tap into positive feelings rather than harsher binaries of languages that ask us to pick sides. One can chose any musical form open to the non-discursive world of moods and feelings that are usually resolved in harmonic resolution. As  Nietzsche noted, “Life without music would be a mistake.”

Baroque music usually lifts my spirit. It always reminds me what smart people working together can achieve. The lucky souls who have the talent to effectively enable this inventive world could be playing Bach. But they could also choose a modern classic like that selected by the Danish Girls Choir.

Some people find respite in putting digital media aside in favor of hiking, fishing, reading, or a simple game of cribbage. Modern media observers note that A.I. images of nostalgic scenes from the 90s or earlier on Instagram can do the trick. But anyone temped to find redemption through a richer experience of life can do better than find it on a cramped three-by-five device. Our politicians may be failing us. But there are still so many around us or nearby who are still on their game. Why commit to mediated experience through the filter of someone else’s political or ideological agenda?

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Repairing a Damaged Brand

Will the car sell itself? Perhaps. But some potential buyers will see the Musk association with Tesla as reason to look elsewhere.

One of the relatively new areas of communication research is the study of how a company or individual responds to a damaged brand. It is an interesting problem to tackle because there are so many corporate vulnerabilities.  There may be a publicized problem with a product. In other cases the producer’s recent words or deeds are the focus. In the case of damage to the Tesla car brand, the challenge is obviously with CEO Elon Musk, who is about as popular now as the idea of dental surgery. Musk signed on to Donald Trump’s chaotic effort to dismember the federal establishment by firing thousands of career federal workers. Weeks ago he brandished a chain saw in the Oval Office to dramatize what he and his DOGE staff planned to do in cutting jobs and federal agencies like OSHA and NOAA. The photo op gave new meaning to the metaphor of being tone deaf. The saw suggested how indelicate and insensitive the process would be. News coverage has been filled with dazed workers fired on the spot, and the apparent pleasure Musk seemed to receive by depriving public servants of their employment and citizens of needed services. In rhetorical terms, for many, Tesla has become a convenient synecdoche, a symbol for a whole cluster of negative feelings associated with the administration.  Dealers and automobiles are now easy targets for protesters.

A recent Newsweek poll notes that forty-nine percent of respondents said they view Musk unfavorably, compared to only 39 percent who view him positively. Those are not good numbers for a high profile head of a company who has taken a detour to help fire some 140 thousand federal workers.

The brand Musk nurtured as uniquely his has paid the price in terms of a huge drop in the value of Tesla stock and car sales. In Europe, the losses have nearly been total.  And many owners in the U.S. have since sold their cars. Many of those who remain have grown uneasy driving their Teslas in areas where hostility toward the administration is white hot.

If these problems aren’t difficult enough for the brand, they have been made worse by Musk’s seemingly pro-Fascist and gestures and statements, confirmed recently by his overt support of Germany’s far right political parties. In the 1920s Henry Ford similarly flirted with German Fascists and virulent antisemitism. But news about Musk has been more overtly available and negative.

For all of these reasons the former Cinderella brand now seems to be in deep trouble. Investment specialist and former enthusiast Dan Ives cites the ongoing Tesla problems around the world as a “dark black cloud” over the company’s stock, which is now down 40 percent this year. The future is further clouded by high-flying new EVs from BYD, Nio, XPeng, and other Chinese automakers. So far, these lower priced competitors are tariffed out of the U.S. market. But Tesla now has other car makers with their own competitive products. One auto analysist has compared the storm of controversy that has overtaken Musk to an F5 tornado.

Salvaging a brand

People who focus on crisis communication look first at earlier cases, like the storm of news about Johnson & Johnson’s painkiller brand Tylenol in 1982. It was hit by a literal life-and-death crisis when seven people died after taking contaminated Extra Strength Tylenol. J and J saved the brand by being transparent about what had happened, and reformulating Tylenol into a tamperproof pill.

Other brands have not been so lucky and were abandoned because of various accidents and flaws that got extensive coverage. If you are old enough, think of the Edsel, the Ford Pinto, the Chevrolet Corvair, or the Oil Spill of the tanker in 1989. More recently we witnessed misuse of Facebook personal data by Cambridge Analytica in 2016.

Notwithstanding question’s about Musk’s character, will the Tesla continue to sell itself? Perhaps. But some potential buyers will see Musk’s association involvement as enough to look elsewhere.  Then, too, the company is not known for thoughtful attention to customer concerns and needs.

Some potential buyers won’t care, using the logic that they are buying the car, not its creator. If Musk removed himself from Tesla’s management, that would probably help.

The usual road to recovery usually begins with a full apology for past actions. Theories of brand repair lean heavily on honest disclosures of mistakes. Helen Edwards, an expert in marketing, has additional and familiar suggestions:

  • Keep the name.
  • Study histories of Tylenol and other restored brands.
  • Make product service a top priority.
  • Refresh your communications with your customers.
  • Give yourself 10 to 15 years to recover.

In the end, Musk has one deep liability and one significant strength. The strength is that he seems to have boundless wealth, which can carry even as massive a business along for a while. The weakness is equally clear. If a person has the kind of character that tends to turn people off, in this hothouse digital age that is something that is not easily changed, even if you own one of the platforms.