Tag Archives: Donald Trump

Donald Trump’s Rhetorical Demonology

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The rhetorical sleight of hand that turns individuals or nations into objects of scorn is not that unusual. But it is crippling to a nation when a leader charged with serving the public makes it his signature style.

Would we be naïve to assume that political discourse should be centered on questions of policy? Perhaps. But most individuals who want to serve in the political arena have action plans they would like to apply to intransigent problems. The language that results is usually melioristic; it suggests improved conditions for many, meaning the action would be better, more effective, more efficient in moving the nation (county, town, state) forward. If this is not what politics is about, what is left is a mostly a pathetic form of performance art.

Donald Trump’s rhetoric unfortunately fits this darker pattern, being almost consistently adversarial, reducing even structural problems to individual action, and resting most heavily on a rhetoric of personal invective. It is his dominant and recurring rhetorical motif. Any expression of opponents undergoes a transformation into a demonology of vilification. If half the nation is weary of his presence on the national scene, it is because he has personalized nearly every discussion by turning it into gladiatorial contest using terms that savage doubters. It is a binary logic that results in threatened lawsuits against journalists, media operators and sometimes members of his own party. Pick a national figure who must work with Trump and, as in a schoolyard taunt, their given names are prefaced with infantile adjectives or nouns: “dopey,” “Lyin,’” “fat,” “crooked,” “shady,” “slimeball,” “ditzy” “birdbrain,” and so on. It’s as if Trump acquired a kind of verbal aphasia that made him incapable of learning the art of conversation. No wonder that those who know him well says that he really has no friends. What is left is the brash language of a Las Vegas comedian, often with a touch of menace reminiscent of a crime boss in an old Warner Brothers film. Just through 2021, the New York Times had catalogued nearly 10,000 insults Trump hurled at his opponents, often in his party, and often made while he was President the first time. A sample describing Robert Mueller’s investigative team appointed by the Department of Justice:

A “gang of treasonous thugs,”
“18 Angry Democrats”

“illegally in on the SCAM?”

“losers”

a “hit squad”

These are mild compared to hundreds of other samples that could be cited. Even so, these labels are wounding to those singled out as enemies of the state.

Even an advisory that this President us mostly unfit to be heard by children would not out of line.

The hortatory language of political persuasion was never meant to rest on ad hominem put downs. Ad hominem comments (attacks on an individual rather than their ideas) reside in a dark cellar of public discourse. They play surprisingly well to television viewers accustomed to the melodramatic language of the streets. But this language is a tedious crutch that conceals Trump’s incompetence at explaining policy on its own terms,

The rhetorical sleight of hand that turns individuals into objects of scorn is not completely unusual in American political rhetoric. But when used by a leader formally charged with serving the needs of a vast nation, it is crippling to all of us. Think of how Trump has already treated our friends in Canada, deconstructing an important relationship built over decades. In contrast, the norm for virtually every President has been to celebrate the citizenry rather than hide behind childish put-downs. All modern presidents have attempted to offer hope and words that inspire. Their body language is usually open, not aggressive. It would not “old fashioned” to ask this leader to give his discussions a degree of dignity. This approach is an essential attribute of problem-solvers who seek to reduce their differences with others by sticking to transcendant rather than divisive terms.

Studies indicate that the president is the first public official children recognize. It might seem like a joke, but an advisory that this President is mostly unfit to be seen and heard by children would not be out of line. It is something the American Academy of Pediatrics might consider, since they are interested in media effects on younger Americans. Sadly, many in the nation are only too happy to be entertained by the performances.

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When Recognition Counts More Than Integrity

Our consumer culture focused on marketing comes with a shift in our attention toward the presentational image, and away from thoughtful character assessment.

We may be entering a time when it makes more sense to chronicle what has been lost rather than gained. This seems to be the case in the slow but persistent decline in the assessment of personal character and the concurrent rise in the culture’s devotion to celebrity. These features are of a somewhat different nature, but there are benefits to pairing them.

Traits of good character haven’t changed much. The values of honesty, integrity and empathy will not disappear. But they are not on the surface of the culture in our era of communication through imagery. In the case of our culture of celebrity, it is now so tangible it can overwhelm us, making the display of aspirational success a feature of everyday life. In simple terms, integrity as a value has been obscured by the quest for notoriety.

Our media has shifted to being more about the presentation than description, more about recognition than sustained and unpublicized accomplishment. We want images that display “success” rather than discursive content that invites assessment. The difference is evident in the awareness and acknowledgement of the basic decency one friend over the invitation for envy in the self-display another sends in the form of an image in an online post.  The first is more genuine and cerebral; the second carries characteristics of display that moves it closer to becoming a “brand.” These pathways are different, but the second is now a dominant narrative of validation tied to the American lexicon of marketing. What “looks good” can be better than being good.

                            Trump Men’s Cologne

By definition, a celebrity is someone who is known for being well known, even when the achievements of that person may be quite modest. The next step in this chain of public recognition is endowing a person with a public persona that can be branded, meaning widely recognized and probably monetized. Advertising frequently seeks to personalize things, turning anything from sunglasses to coffee machines into signifiers attached to a person to be emulated. In short, products are often sold as celebrity stand-ins. We see signature shoes, and athletic gear in the context of endorsements. A person “known for” their curated persona creates their own force field of attention. Branding depends on this tenuous association factor, attracting scores of emulators. Niccolò Machiavelli’s famous observation about the nature of a public self could be the mantra of a self-publicist: “Everyone sees what you seem to be, few know what you really are; and those few do not dare take a stand against the general opinion.”  If nothing else, Donald Trump has nurtured a brand based on obvious memes of wealth and business acumen. Indeed, a person could fill a Dollar Store with his overpriced merch offering ersatz symbols of affluence: shoes, perfume, ties, steaks, lapel pins, bibles, etc. etc. They are enough to capture voters who want to demonstrate their allegiance by owning some of “his” totems of ersatz prestige. With more effort, a reader with a livelier mind can also discover his habit of stiffing contractors, off-loading debt and declaring bankruptcies in his casino businesses. But this record is obviously not part of the brand that he has successfully promoted to the public.

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The more one consumes impressions through the branding mechanisms of the marketplace, less attention is will be paid to character.

Here is the challenge our culture faces. Too often our distractions leave us with only enough time to carry away impressions rather than deeper understandings. What has changed over the generations is the ascendance of the imagery of marketing as a tool for shifting our attention away from personal merit and, with it, creating less space to exercise the language and critical applications of character assessment. A preoccupation with cultural products attached to public figures leaves diminished energy for the work of judging others on their authentic achievements.

                              Aristotle

Classically, the guiding principle for assessing a person’s value to society was in understanding these clearly roadsigned merits. What useful talents do they possess that furthers opportunities of others? How well can they distinguish between what is best for many rather than just oneself? Do they know what excellence looks like? Is there a solid moral core that shapes their efforts to achieve it? Do they have a level of judgment we would want for our own children? These are the kinds of foundational questions thought leaders like Plato and Aristotle, or John Locke and Thomas Jefferson pondered. All would have been comfortable assessing a person’s character in terms of their evident knowledge, generosity to others, and what we know today as “social intelligence.” Their understandings of human potential were far more subtle than our culture-wide retreat towards self-interested promotion.

In our current culture of appearances we have left most of these kinds of questions on the table, replacing them with impressions built more on recognition than merit. Branding mechanisms of the marketplace may conceal who is truly a figure worthy of emulation.