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Looking for Multiple Narratives

Models, Problem Practices, Rhetorical Mastery, , , , , , , , ,

 

Wikimedia.org
    Five Witnesses Will Usually Have           Divergent Accounts of the Same Event                          Wikimedia.org

 

We should be impatient if the reporting from a given medium asks us to settle for just one “story.” The better option is to expect that there are at least several.

As people in my line of work are fond of saying, ‘language sometimes does our thinking for us.’  Word choices are tracks that inevitably point us in specific directions.   So when we talk about “media”—because it is a plural term—we are primed  to acknowledge significant differences between individual outlets.  That’s as it should be, and a way of thinking we need remember when we are acting on the basis of any single version of events.

For most of us, the concept of a “story” could not be clearer, setting up an expectation that we will take in a running version of events that can stand on its own. This is all well and good if we are talking about one individual’s experiences.  We are all entitled to our stories. They function to make life understandable and meaningful. They are also useful barometers of our own mental states.

Narrative fiction and films have our attention because they fulfill what we seem hardwired to need: figures to empathize with, and the continuity and simplicity of a single of perspective. This is the rhetorical form of the synecdoche: when one example stands in for a whole class of people or events.

The mistake is when we accept the adequacy of  singular form as a tool for understanding the real world. The cable-news anchorperson asks a reporter in the field, “What’s the story?” A headline launches a short version of events usually defined by its internal coherence.  An editor or producer presses a reporter to find a single experience that encapsulates a larger trend. As news consumers we are attracted to narrative continuity over reports that ask us to consider “competing realities.”  Complexity tends to get written out of accounts that need to be boiled down to one and half minutes of air time or 600 words of reporting.

But in actual fact, human events usually contain multiple and contradictory stories: accounts that  are often diverse in their details and frequently inconsistent with each other. We easily recognize this when we compare notes with family or friends about key events that we’ve shared about some earlier experiences of our ancestors. We expect to add details another missed, or to add alternative interpretations of a participant’s motives, or  to pass on an observation that is completely new to others. In those settings we are not surprised to learn that one version of events is not enough.  Eventually all the pieces put together form a kind of intersubjective truth that works at least for those who participated.

The same is true in the current news environment. The ongoing conflict between the state of Israel and Palestinians living on its borders does not permit the luxury of one narrative, but many. The controversial implementation of the Affordable Care Act cannot be contained in one  personal experience.  We know there must have many, reflecting the range of responses by individuals and the states where they reside.  Even when we think we have some clarity on the “aggression” of the Russian Federation in reclaiming Crimea and Eastern Ukraine, we can easily be surprised by long-form accounts from the region that can force us out of what seems  like a settled narrative.

We are smarter if we expect that news reports and other kinds of nonfiction accounts should come to us in uneven waves. In terms of conventional communication analysis, we usually look for a “preferred narrative:” the kind of account that comes from official sources and takes hold of the popular imagination.  But we also expect to find that there are “alternate” or “counter-narratives” as well, and often a series of them. These may come from the less powerful or the marginalized who were caught up in the same event.  It’s not unusual that years later they emerge as the new preferred narratives.

Charles Dickens started a novel with the famous lines, “It was the best of times.  It was the worst of times.”  The thought reflects his savvy as a narrator of the human condition.  We need to expect that there may be a plurality of perspectives that will undermine the coherence and psychological comfort that comes with a single account. “Reality” is often best represented in a Venn diagram of overlapping accounts. We need to remind ourselves to be impatient if reporting about human events seeks an unearned consensus by insisting on a single truth.

Comment at woodward@tcnj.edu

Attempting to Drive From the Backseat

Models, Problem Practices, Rhetorical Mastery, , , , , , ,
Source: Commons Wikimedia.org
 Commons Wikimedia.org

Using social media can be like trying to drive a car from the backseat. I suppose it can be done. But you may not end up where you intended. 

Commercial television networks usually follow a rule to withhold scheduled airline advertising if there has just been a crash involving a commercial carrier. The proviso is in place at the request of the carriers, who have no interest in having their ads appear next to reports of carnage on the ground.

It makes sense that any presenter of material would want to know as much as possible about the rhetorical neighborhood where their material is about to appear. Most of us share the same concerns of the airlines that a message needs an environment that is supportive and more or less congruent with what we have to say.  For example, no one wants to have what we assume is a private conversation with a person who we know to be on a speaker-phone in a room full of people. To send our thoughts without regard for when and how they will be seen is a recipe for trouble.

This kind of situation-specific behavior is a hallmark of our social intelligence, which includes the ability to adjust to the needs of a given social situation. The failure to do so is also source of a lot of comedy, as when someone says the wrong thing in the wrong place. Think of Amy Schumer or Groucho Marx almost anywhere.

It has always been a cornerstone of effective persuasion to “know the audience and the setting.” The logic that goes with “reading the room” is obvious: if our goal is to be an effective supplicant, our words should blend effortlessly within the situational context. For example, politicians know that disaster looms when a private conversation happens to be captured by a live microphone. This kind of event was Mitt Romney’s Waterloo for his 2012, when a private message to contributors about lazy Americans “entitled” to be on the dole was recorded by a server in the hotel meeting room.

It strikes me that the same kind of challenge is present in social media. We send messages. We comment. We post. But the circumstances for the presentation of our thoughts are mostly beyond our control. Comments viewable by the public or even just “friends” are frequently placed within a thread of other reactions aggregated by an unknowable combination of logarithms and sheer coincidence. And the effect—especially in platforms such as Facebook—may not be what we expected. Facebook “notifications” of someone’s updated “status” deliver us to pages of photos and comments posted by others that can leave us uncertain about what is new or different. To a friend who seems to be successfully on the mend from a serious operation it’s easy to offer “Congratulations!” and miss a newer post about unwanted medical complications. More than once I’ve been misled into offering a comment that could appear to others viewing the site as insensitive or simply foolish. Without a lot more time on the page (which is, after all, what any site hopes for) I could not have known what others have said on the same topic, and what triggered a thread that pulled me miles away from making a rhetorical bulls-eye.  In communication terms, this is known as the problem of a “boomerang.”  Comments intended to have a positive effect do just the reverse.

The problem is reflected in the words of marketing experts who have noted that it’s difficult for an advertiser using Twitter to know exactly who among their over 300-million users they are reaching. This is a long way from the ability of marketers to track the web habits of web-based retailers, who can know exactly what a consumer is looking for and when they are motivated enough to “click through.”

The open-ended nature of social media represents a sea-shift away from ability to identify and target a specific audience. The very fluidity of these platforms is partly what makes them exciting.  But there is little doubt that they impair our abilities to fully adapt to a specific set of human targets, with the consequent effect of posts and responses that off-message and even offend. The result is sometimes a catalog of potential slights: ignoring, offending, bewildering and failing to acknowledge the people with whom we wish to connect. There is irony in the fact with increased ease of making connections we have also made it easier to misunderstand what others are saying.  The best advice, therefore, is to always proceed with caution.

Comment at woodward@tcnj.edu