Category Archives: Models

Examples we can productively study

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The Mistake of Assumed Agency

decisionbetter reading of the world as it is usually means that we can’t scale up the idea of intention to large and diverse groups. The culprit is the pronoun “they,” which over-simplifies our world and catches us in traps of our own making.

We are usually right to assign responsibility for an action to a fully functioning adult.  We assume that individuals can make decisions from an array of available choices.  We see individuals as willful. Notwithstanding some neuroscientists who want to deny free will by reducing all human conduct to chemistry, most of us make the reasonable assumption that people really do have intentions. They act on their beliefs, habits and preferences. Notwithstanding important influences, they are still capable of weighing and acting on potential choices.

As ordinary as this pattern of thinking is, it can easily be overextended.  Its actually common to see news reporters and many of the rest of us assigning intentionality to individuals or groups for whom the term is, at best, a stretch.

A simple example: a friend who is a geriatric psychotherapist frequently complains that staffs in nursing facilities usually assume that a patient is “acting out” if they are unkind or manipulative. In our language these kinds of descriptions usually imply volition: the patient intended to behave in a certain way. The problem, of course, is that most of these folks have dementia, which robs them of the essential gift of agency. Their behavior is not necessarily what they would have done if the neural pathways once available to them were still intact. The end result is sometimes to punish the patient rather than acknowledge that their behavior has causes not easily overridden.

A guest column in the New York Times by think-tank conservative Max Boot also caught my eye because of this problem. He criticized the Republican Party for carefully nurturing negative attitudes about scientific research and serious intellectual inquiry.  In effect, he made the Party an agent engaged in a concerted effort to dumb-down complex problems such as climate change, immigration reform and a sometimes sluggish American economy.

The military or a tightly run corporation may be said to have “intentions” or “missions.”  Parties: not so much.

Boot is right that many in the GOP are suspicious of reasoned arguments based on solid science. My doubts extend only to attributing a clear purpose to the party itself.  The problem with his assertion is that political parties in the United States are never well organized, barely coordinated on anything, and have “members” with only paper-thin levels of loyalty. The military or a tightly run corporation may be said to have “intentions” or “missions.”  Parties: not so much.

The same mistake is often made with regard to the President, who is supposedly able to control of a dizzying array of national challenges.  But the real story is that we also assign too much agency to the Presidency.  For example, most economists believe the chief executive cannot significantly change the course of the economy.  We may want to think of the American business cycle as under the thumb of the White House.  A more accurate view is that it’s an engine without a single engineer.  Indeed, most presidents would welcome the chance to be as powerful as is widely believed.  The norm for these leaders is to leave office frustrated at how little influence they were able to exert over the many far-flung agencies of the federal bureaucracy.  F.D.R., for example, complained that he couldn’t get fundamental changes in the Navy, even though he was Commander in Chief of the armed forces and his political career included a stint as the Navy’s Assistant Secretary.

The prime rhetorical culprit here is the pronoun “they.”  The English language invites us to singularize responsibility under the umbrella of this term.  But a better reading of the world as it is usually means that we can’t scale up the ideas of purpose and intention to large and diverse groups. The pronoun over-simplifies our world, catching us in traps of our own making.

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Track 18

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                                Omnibus Journal

This is a precious piece of jazz history, all the more so for being recorded in pre-corporate Las Vegas, which was fertile ground that helped good musicians become great.

Sometimes the perfect response is not what is said, but what is sung.  Music is the great analogue to speech.  And it seems that we often experience pleasure in a perfect match-up of words and music set alight by especially gifted musicians.

I always think of Nick Hornby’s feral but passionate clerks in High Fidelity. They shake off their mid-morning torpor when challenged by the owner to name the” top five” of any genre: autobiographies of musicians, blues recordings, songs about death, angry songs about women, songs to take on a desert island.  In the novel and the even better film Barry and Dick may appear to be adrift and underemployed.  But they are also connoisseurs, reminding us that we are all critics, and that ecstasy can even come in the transient moments of a musical phrase.

I’ve come to think of a particular song in this way. The music comes from a live recording made in 1966 and recognized by Rolling Stone, among others, as one of the best live recordings ever made.  Track 18 is an especially precious slice of jazz history, all the more so for being recorded in pre-corporate Las Vegas, which was fertile ground that helped good musicians become great. The album is Sinatra at the Sands, made at time when the former “kid” from Hoboken was feeling the heat of the British pop invasion, and a declining interest in the Great American Songbook

Everything comes together to make the music a perfect miniature of the brassy and confident music of its time. In the crowded Copa Room there’s the legendary Count Basie Band.  Fronting it is a young but effective Quincy Jones, who has arranged the charts to show off the the legendary group assembled long ago by another “kid:” this one from Red Bank.

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   Jones, Basie and Sinatra                      Pinterest

And then there’s the song, a once-placid ballad written thirty years earlier by Rogers and Hart, but reborn to become the perfect vehicle for a singer in complete control. Frank Sinatra’s musical instincts were never better: a mixture of Rat Pack swagger and his total mastery of the tricky mechanics of jazz phrasing.  At times ahead of drummer Sonny Payne’s rock solid beat and at times behind, it all adds up to a moment capturing musicians at the top of their game.

And it’s all over in less than three minutes.

What fun it would have been to be in that room.

https://www.youtube.com/watch?v=9HaebEWSUEE&list=RD9HaebEWSUEE&index=1

 

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